DESERT HIGHWAYS CONTRIBUTORS TOP 10 LIST’S (+ MORE) FOR 2018!

Here’s a few of the Desert Highways team’s Top lists for 2018. Thank you all for your support again throughout 2018, it’s very much appreciated! Also a massive thanx to all of our contributors. Very proud to work with such an incredibly talented group of people!

Mark Ireland – Writer.

Best gigs 2018:
Power TripBendigo Hotel.
Roger WatersRod Lavar Arena.
MAMMALCroxton Bandroom.
Streaker Gate Benefit GigGasometer.
Meredith Music Festival: The Presets, Billy Bragg, Little Ugly Girls.
The Stems, Even Northcote Social Club.
Boogie Festival: Cable Ties, Clowns, The Southern River Band, Birdcloud, Cash Savage.
Golden Plains Festival: Mogwai, Baker Boy, Black Angels.
Stiff Little FingersCroxton Bandroom.
Download Festival: NoFx, Hot Water Music, Prophets of Rage, Arch Enemy.
BeckMargaret Court Arena.
David ByrneMargaret Court Arena.
The Demon Parade – Psych FestThe Tote Hotel.
Fuck The Fitzroy Doom Scene, El Colosso Sookie Lounge.
ShameThe Tote Hotel.
Future Of The LeftThe Old Bar.

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ASH, Lead Worm. Fowlers Live, Adelaide. 14-11-2018.

Words Will Oakeshott.
Photos David Rubinich.

An interesting fact about Wednesday is that this character from The Addams Family named after the weekday was apparently called it by her father because “Wednesday’s child is full of woe”; upsettingly upon entrance into Fowler’s Live on this “Hump Day” evening, it appeared as though the daughter of Charles Addams had used her evil abilities to diminish Adelaide’s spirit with only a minuscule audience present for the opening act. But as former NBA star Paul Pierce once said: “The game isn’t over till the clock says zero” – truthfully, there was not one aspect about this show that represented zero at all, so the show must go on.

To say that local quartet Lead Worm were ecstatic about opening this event would be a vast understatement; it was made abundantly clear by frontman / guitarist Michael Van on numerous occasions. However, from this writer’s point of view, this was the most spirited the outfit actually became in their 40 minutes in the stage light. Admittedly, there was the reduced stage size acting as a challenging obstacle, that was more than apparent and influential on the four-piece’s abilities – although honestly, the band members seemed to have little interaction with each other or their audience during song performance. Respectably, they do transport themselves into their own musical universe that lands somewhere around the post-grunge label and it is an accomplished amalgamation. All-in-all though, their delivery presents itself as slightly insipid. The influence of Californian band Oleander was enjoyably evident on songs ‘Forgive Me’ and ‘Wasted’; furthermore, Lead Worm did have the responsibility of warming up the crowd which had now grown exponentially and to that degree, they achieved a satisfactory result. Nevertheless, maybe with more bigger supporting roles and some touring opportunities, the quartet could grow to a formidable group. Continue reading