MYRKUR ‘Mareridt’ Album Review.

Words Will Oakeshott.

Amalie Bruun, better known as Black Metal multi-instrumentalist Myrkur has been the subject of both global praise and repulsive condemnation in her short three year existence creating magnificent music under the moniker. Having received atrocious death threats after the success of her exquisite debut LP M, Ms. Bruun utilised this animosity to provoke her creativity and the result is her astonishing sophomore record Mareridt.

Title and opening track ‘Mareridt’, the initiation into her artistic response and journey to the Earth’s reaction to the organic design that is Myrkur, acts as a spiritual calling; an invitation for her followers and adorers to come close to safety from the storm that is the banishment she is about to afflict on her adversaries. In retrospect it is a historic “Kulning” call and it honestly defies beauty. Continue reading

2016 TOP 10 RELEASES! Desert Highways staff + special guests from Orange Goblin, Monolord, Pagan / Little Lamb & The Rosemary’s!!

Words Anthony Moore.

There were some amazing releases that come out in 2016, and as with every year, I start out with the best of intentions keeping a list of my favourites as they hit, only to let it fall by the wayside by about March. Yeah I know, it doesn’t last long! So undoubtedly I will forgot lots of great releases from 2016. There’s been the talked about releases like Metallica’s Hardwired… To Self Destruct (which for me has been quite a disappointment, some moments of clarity and power but as whole, it wasn’t the driving force I was hoping for), then there’s been some that have come out of left field that have really thrown me for six and impressed me quite a lot, like Electric Magus Olympus Noms, which is Raul Sanchez (Magic Dirt, River Of Snakes, Midnight Woolf) latest offering through Wild Animals Records. Like with John Frusciante’s solo albums, some sound quite unique and very different to his work with Red Hot Chili Peppers (which is an awesome thing these days!) yet his style and soul still comes through in various ways. Electric Magus is like this for Sanchez compared to his ‘usual’ guitar driven work. It’s totally different yet still somehow connects with me for the same reasons.

I still listen to loads of releases from all around the world, but more and more as time goes on I find myself mainly listening to local bands. Possibly for a few reasons, I like to support local muso’s and friends, it’s possible to see them more live which in turn gets us more stoked on listening back to a band later, and maybe most importantly, there are just so many fuckin incredible bands in Melbourne and throughout Australia that there’s not enough time to sometimes reach out further. Continue reading