BISMUT ‘Retrocausality’ LP Review.

Words El Jefe.

So Dutch band Bismut were a completely new unit to me prior to this but a live stream of ‘Obscuramento’ piqued my interest. Long songs, no vocals, played by a power trio who seem to have locked horns in some kinda deranged psychic rehearsal room cage match. Last man playing wins the jackpot! A serious project to undertake, I’d say.

Retrocausality is, as you’d expect from the premise, a hefty, liquid soundscape. Each track is finely crafted, and the band themselves can play like absolute motherfuckers, and throw into the cauldron some red-hot effects wizardry, you got in ya hands one of the most interesting records of the year. Continue reading

AQUAMAN Movie Review – Palace Nova Eastend, Adelaide.

Words Will Oakeshott.
Thank you to Palace Nova Eastend, Adelaide.

According to an interview with Metal Hammer Magazine, Aquaman star Jason Momoa revealed that he utilised music by Black Sabbath, Metallica’s ‘Kill ‘Em All’ album and Tool’s Ticks And Leeches to inspire him to become the character Arthur Curry and superhero. Upon reflection, these sources of motivation became rather evident throughout the film; it’s hard-hitting, bullish, wandering and a little bizarre.

The film is unquestionably the “introduction” to Aquaman and director/movie story cowriter James Wan has maintained a comic book authenticity with this project which is both remarkable and a bit corny to the film’s atrophy – do not become dismissive though, there is a lot of fun in this 140-minute-plus extravaganza.

It is very much a multi-player story, certainly the focus is Arthur Curry, his beginnings and birth into a multiverse existence (so to speak) as the son of Atlanna, The Queen Of Atlantis (Nicole Kidman) and humble lighthouse keeper Thomas Curry (Tempera Morrison). Logically, it progresses to Arthur’s discovery of his powers and subsequent training by Nuidis Vulko (Willem Dafoe) then obligation to protect both worlds he grows to become a saviour for and in terms of Atlantis, the King. Continue reading

MEATHOOK Self-titled Debut EP Review.

Words Anthony Moore.

It’s always hard when someone you know asks you to review their band. It could be awesome… but what if it just isn’t your thing? or even worse, what if it’s shit?  So when Andy Simpson of the legendary Don Fernando sent me a message and asked if I could listen to his new project Meathook, I thought I would do the usual thing of sending it on to someone else, but then I clicked on play…

So all you Tool fans who have been waiting 612 years for a new release, ‘The Beginning’ kicks off with an intro that would slot perfectly into Undertow, with riffs straight from the Blues For The Red Sun mixing desk, and a solo that goes on for miles; the song steamrolls across the great expanse covering everything from hard edged stoner to doom and all in between. There are no lyrics, no words, just like this review, nothing could truly describe the sound of this track, except that ‘The Beginning’ is the perfect introduction to Meathook, which will string you up by your ears and make them bleed for more. Continue reading