So it’s Friday night, and catching Greenleaf was the only thing on my agenda. I took a stroll the length of King St, and took in the scenes. A warmish Friday night, and the hordes were out!
I missed Arrowhead unfortunately, although I have seen them countless times over the last decade of so. Easily the best and most consistent stoner band Sydney has ever produced, a classic power trio led by Brett Pearl, whose guitar and vocals are both world class.
Next up was (were?) Jack Harlon And The Dead Crows, a Mexican outfit on tour with Greenleaf. Having heard several excellent reports about these dude, I was keen as mustard to get a birdseye view. They certainly didn’t disappoint me either! Fat as fuck, greasy-sounding guitars, an excellent drummer and a ripsnorting bassist who left nothing behind when they plowed through their set of stoner/psyche/blues rock that easily coulda been straight outta ’69. Great presence, and a lot of the set left me feeling like I was swimming in a heavy swell and the dark was closing in, such were the dynamics of the band. Check ‘em out! I grabbed a copy of their LP Hymns as well, which I’m sure will be getting some heavy use very soon. Continue reading →
Sweden, a country that has produced some of the greatest rock’n’roll known to man in the past couple of decades, and is showing no sign whatsoever of letting up. Thank fuck. The Awesome Machine, The Hellacopters, Truckfighters, Silver Devil just to name a few. Purebred rock’n’roll, one and all. Which brings me to Greenleaf. They began as a side band for Tommi Holappa of Dozer, but in 2009, in the wake of Dozer announcing their hiatus, Greenleaf climbed into the driver’s seat, dropped the clutch and hit the road albeit with Tommi being the only constant member throughout their existence. Their recent tour of Australia was also an excellent showcase for what a behemoth these guys are. So now, several LP’s later, released with an almost frightening regularity brings us to Hear The Rivers, yet another epic collection of tunes by Greenleaf.
‘Let It Out’ kicks things off with a stomping drumbeat, and a snarl of over-distorted bass soon follows. Tommi’s guitar and Arvid Hällagård’s vocals link the whole shebang together. Continue reading →