This month there was a clash of gigs I’d applied for and my pass for Ash came through first. Leading up to it knowing all my photographer mates would be at The Wombats show I was thinking “geez have I made the right choice?” and the answer is YES. Yes I did. With bands that have been around as long as Ash there’s always some trepidation if you haven’t seen a band live before that they might not be any good live, or what if they aren’t as good as they were back in the days of Britpop, have they got old and lost their ability to hit the right notes or have any stage presence? Well they are awesome live, sound amazing and Tim Wheeler is a fantastic frontman. 18 year old me was ecstatic!! Continue reading →
French writer Jean-Baptiste Alphonse Karr once wrote in his epigrams: “Plus ça change, plus c’est la même chose”; which for those of unfamiliar with French translates to “the more it changes, the more it’s the same thing”. Groovin The Moo in 2017 made its first appearance in South Australia at the infamous Adelaide Showgrounds, vastly different from its original location in Oakbank. However, the sell-out crowd were once again greeted with a gloomy winter-esque atmosphere (referred to as “Groovin The Mud” in past years), but misery was far from consideration by the attendees, if there were premises to assign to the festival – “victory” and “mystery” would be certainly suiting.
Adelaide-based progressive folk luminary Tom West had the privilege of the opening slot for the festival and brought out his entire arsenal for the presentation. A six-piece band including keys and a banjo serenaded the early observers, although not quite in a spirited fashion, more-so a soothing manner. Single ‘Easy, Love’ was the standout which channelled Pennsylvania’s criminally unknown Koji; honestly though, it wasn’t an enthusiastic engagement but a warm welcome nonetheless. Continue reading →