‘A COMPILATION FOR EDGAR’ Various Artists – Wild Animals Records.

Words Anthony Moore.

One of my favourite labels is another indie operation here in Melbourne called Wild Animals Records. With releases from Raul Sanchez i Jorge (Magic Dirt, River Of Snakes, Midnight Woolf, Electric Magus), Bonnie Mercer, Lost Talk, The Frees, Shepparton Airplane and more… with that list, and the incredible, unique DIY touch added to each one, obviously everything they do is gold.

This release is no exception. A Compilation For Edgar is a 24 track goldmine of live music recorded in pubs around Melbourne from an incredible list of bands! It’s limited to only 53 copies and comes in very cool packaging. All the proceeds are also going to Edgar’s Mission, an animal sanctuary in Lancefield, VIC (near the Macedon Ranges).

I asked the guru behind Wild Animal Records, Dan Williams, a few questions about the release…

Anthony Moore: How did this compilation come about? Continue reading

EARTHLESS (US) Aust/NZ Tour Dates, Supports and more!

EARTHLESS SUPPORTS FOR AUSTRALIA & NEW ZEALAND SHOWS

“The true heirs of the great power trios of the past such as JIMI HENDRIX EXPERIENCE, CREAM and early GRAND FUNK RAILROAD.” – Rock Hard

San Diego psych heavyweights Earthless – who hit Australia and New Zealand late February – have announced the support acts for their upcoming tour, and it’s a killer bunch of groups, meaning every show is  gonna be loaded with heavy and heady psychedelic and hard rock greatness. Continue reading

DESERT HIGHWAYS CONTRIBUTORS TOP 10 LIST’S (+ MORE) FOR 2018!

Here’s a few of the Desert Highways team’s Top lists for 2018. Thank you all for your support again throughout 2018, it’s very much appreciated! Also a massive thanx to all of our contributors. Very proud to work with such an incredibly talented group of people!

Mark Ireland – Writer.

Best gigs 2018:
Power TripBendigo Hotel.
Roger WatersRod Lavar Arena.
MAMMALCroxton Bandroom.
Streaker Gate Benefit GigGasometer.
Meredith Music Festival: The Presets, Billy Bragg, Little Ugly Girls.
The Stems, Even Northcote Social Club.
Boogie Festival: Cable Ties, Clowns, The Southern River Band, Birdcloud, Cash Savage.
Golden Plains Festival: Mogwai, Baker Boy, Black Angels.
Stiff Little FingersCroxton Bandroom.
Download Festival: NoFx, Hot Water Music, Prophets of Rage, Arch Enemy.
BeckMargaret Court Arena.
David ByrneMargaret Court Arena.
The Demon Parade – Psych FestThe Tote Hotel.
Fuck The Fitzroy Doom Scene, El Colosso Sookie Lounge.
ShameThe Tote Hotel.
Future Of The LeftThe Old Bar.

Continue reading

PBS FM – HEAVY And HAMMERED 4. Grindhouse, Fuck The Fitzroy Doom Scene, Seedy Jeezus, Muscle Car, Demon Head, La Bronco, Ute Root, Pseudo Mind Hive, Devil Electric, Vertigo, Interceptors, Bitch Diesel, Ion Drive, Subterranean Disposition, Shannon Bourne, Arcane Saints. The Tote Hotel, Melbourne. 06-10-2018.

Photos Stephen Boxshall.

The past four years PBS radio  have put on Heavy and Hammered at The Tote to showcase Melbourne’s amazing scene of metal, stoner and punk bands.

Over the past year there has been a lot of controversy in the press about gig line ups and festivals not being equally balanced in the male / female ratio of bands on the bill, PBS have stood above the crowd and presented a line up that promotes equality and gender.  Which just goes to prove that Melbourne can provide a balanced lineup of bands without compromising their integrity. Continue reading

CHERRY ROCK 2018. Cosmic Psychos, The Cribs (UK), Kid Congo Sex Beat Party (US), Cash Savage & The Last Drinks, The Mamas, The Chats, Fulton Street, The Southern River Band, Fluff, Gabriella Cohen, Diet, A. Swayze & The Ghosts, Pistol Peaches, WÜRST NÜRSE. Cherry Bar, Melbourne. 06-05-2018.

Words Mark Ireland.
Photos Stephen Boxshall.

Every year Melbourne rock city gets destroyed by Cherry Rock, the best street rock’n’roll festival. For twelve years it’s been promoting local and overseas rock and metal acts, giving them a chance to play to a massive festival crowd, this year was no exception.

Opening the festival was Wurst Nurse, they kicked off proceedings with their anthemic punk that electro shocked the crowd. It was unseasonably warm weather for Cherry Rock, good beer drinking weather, and A. Swayze & and the Ghosts from Tasmania were a great addition to the day, their unique post punk sound was what was needed to send the crowd left of centre.

I moved inside to catch Fluff before the bar got jammed. They play classic rock in the sense of Zeppelin and any other 70s band you could throw a bone at. Neil Wilkinson’s high shrill would put Robert Plant to shame, and local legend Danny Leo is in my opinion the best drummer in Australia hands down. His powerhouse style is something that could shatter a window a 100 metres away. Fluff have an album coming out in a couple of months, so todays set was a good chance to showcase the new material.

On the Furphy stage Gabriella Cohen was charming the crowd with her sweet crunching pop, an interesting inclusion to Cherry Rock.

Soul fever was potent when Fulton Street hit the Cherry Bar stage late in the afternoon, Shannon Wick’searth shattering vocals shook the venue to its foundations. The band have been regulars to Cherry’s legendary soul night, packing out the place on numerous occasions.

The Southern River Band are the new boys on the block and they’ve already earned their stripes by blowing crowds away at Queenscliff Music Festival and Boogie Festival, so todays set broke the crowd into tiny pieces. They’ve already honed that classic ‘Oz Rock’ sound, so the crowd just drank the energy the band threw at them. Their album is in high anticipation, so I think a return visit is definitely on the cards for the near future.
Inside again The Mamas sweet soul pop stylings had the crowd pack the dancefloor and cause a sweaty mess in no time.

I had heard a few things about The Chats, but nothing prepared me for what I saw, tight as fuck, killer riffs and it was all over in 30 minutes, that is rock’n’roll personified. And as one of their song goes, not even time for a ‘Smoko’!

Cash Savage and the Last Drinks have been a festival favorite for a number of years now, so the crowd warmed up to them straight away. Their gothic country blues was what was needed for a cold autumn night. Cash has incredible stage presence that commands attention, like Nick Cave she stands on the lip of the stage and draws the crowd in with every song, The Last Drinks are an amazing backing band that consists of two guitarists, drummer, fiddle player and bass player, so when the band break into ‘The Hypnotiser’, the sound that was created was like a man mad hurricane, with its slow build to its tumultuous climax, it really put the audience through the ringer.

The Cribs have been around since 2001, so it’s safe to say they know how to turn a crowd on its head. They played a varied set from a number of different albums, their latest album 24-7 Rock Star Shit has one of the best titles from last year. As soon as they hit the stage they don’t fuck around and its straight down to business, slaying the crowd with anthemic indie rock gems.

Closing off the Cherry Bar stage was a DJ set from Kid Congo, he played a killer set of mod hits, surf rock and classics from Bowie and Suzi Quatro, the crowd flooded the dance floor immediately as he hit the decks.

What else can be said about The Cosmic Psychos, they are the stuff of legend! Their influence runs deep not only in Aussie bands but also you can hear their sound in many 90s American bands too.

When they ripped out their classic ‘Nice Day To Go The Pub’, the crowds sing a long could have been heard on the other side of the Yarra! The buzz saw bass blast of ‘Dead in a Ditch’ deafened me within seconds. They ended the night with the classic ‘Lost Cause’. The Psychos haven’t changed their sound in over 30 years, the saying ‘If it Aint Broke Don’t Fix It’ was probably coined after seeing the band at the Tote.

After twelve years Cherry Rock is still selling out and looks it won’t be slowing down anytime soon. James Young, co-owner of Cherry Bar and one of the head honchos behind the festival is one of the biggest supporters of live music in Melbourne, and Cherry Rock is the love child of his support of local rock and roll.

Melbourne loves Cherry Rock and Cherry Rock loves Melbourne.

SHAME. The Tote Hotel, Melbourne. 08-02-2018.

Words Mark Ireland.

Before Shame even landed in Australia, they had a hell of a reputation but with enough secrecy to still have some surprises up their sleeves. They have been heavily lauded in the British and American music press, they tore Glastonbury apart last year and punched Laneway Festival so hard it was coughing up blood, so when they landed at The Tote the energy of the band and the crowd was salacious, you could feel the condensation just dripping from the ceiling.

Lead singer Charlie Steen hulked about the stage staring down the crowd, you felt like he was going to attack at any point, but this is all stage persona.

When they burst into the single ‘The Lick’ and the opening lyric is “So in the past week I’ve made several trips to the gynaecologists”, you know the boys tongues are firmly planted in their cheek, they wear their influences heavily on their sleeves, The Fall, Eddy Current. Steen has the Mark E Smith’s venomous lyric spit combined with Brenden Huntley’s manic dance moves. The song ‘Friction’ with it’s heavy chiming guitars flogs the crowd around the head and induces aural comas. The entire pub is transfixed, a bomb could have gone off and the crowd wouldn’t have noticed in the slightest, that’s how enigmatic they were. Continue reading