After a hit movie, making the sequel usually comes with a lot of extra pressure to perform and live up to the standards of the first. With Download Festival, add onto that the even greater pressure of taking over from where Soundwave left off in the heavy music category, and the comparisons it will bring being at the same location with similar lineups. From gates opening though, Download (the sequel) looked certain to be a hit at the ‘box office’. Continue reading →
24 Hours prior to this event, Adelaide suffered the hottest day on record; well beyond conception. This writer was left defeated as was South Australia in reality – but our resilience wasn’t. Defeat is never our definition – and our adoration for heavy music was once again showcased in quality numbers, even though the competition for live music on this night was immense; thankfully however, three excessively talented outfits rewarded the Adelaide heavy music enthusiasts to an immeasurable degree.
Melbourne three-piece Toehider proved they were not an opener but in fact, a menace. Somehow a mixture of Rush, Judas Priest and The Mars Volta worked; it was quite the extravaganza. As eccentric as it sounds, it was defying, odd and a victory. The vocal and musical gymnastics were near super-human in substance, truthfully this was an honest understatement of how they portray their art. Adelaide for the most part, could not keep up with the insane vocal delivery of front-man and guitarist Michael Mills as it was eerilysimilar to Rob Halford and the band’s intricacy was enthralling. In all honesty, this was more than a pleasant surprise, it was astounding, especially with This Conversation Is Over, which had an immaculate delivery. Continue reading →