Stoner rock power trio Borracho have had a busy 12 months; releasing two full-length LP’s in this period and they’ve backed up the excellent Atacama with Riffography, and it’s yet another grease and dirt road trip from hell.
Soundwise, Borracho are a gutsy and powerful unit, heavy on both grooves and distortion. And they know when to pull back as well as when to drop the clutch and hammer the riff home too. Supremely cohesive songwriting coupled with their playing always makes for a great album as well.
Riffography opens with the ball-tearing ‘Rectify’, and is quickly backed up with ‘Circulos Concentricos’, a re-recording of ‘Concentric Circles’ from their 2011 debut, Splitting Skies, and given a Spanish facelift and a great mangled guitar attack. Continue reading →
At first glance, Geezer made me think of Fu Manchu minus the pop sensibilities a lot of Fu stuff has. A few spins later, and I’m still vaguely reminded of Fu, but there’s a whole cauldron of other sounds bubbling away here as well. But more on that later.
Geezer come from Kingston NY, and formed around an obvious love of Sabbath and all other things imbued with stoner goodness. This trio has a cool take on riff-rock, and the debut LP has plenty of great moments.
They break the ice with ‘Sunday Speed Demon’ and ‘One Leg Up’, foot to the floor rock tunes with gravel rash vocals, a neat rhythm pummel and some savage guitar playing too. Continue reading →
When I first received the debut album from Salem’s Bend, I wasn’t sure what to expect. A three piece from the City of Angels conjured up pre conceived notions of what I thought LA was about. What I heard upon first listen was something totally different.
I actually thought I’d been visited by the ghost of Phil Lynott and he’d become mates with Fu Manchu, Blue Cheer and King Crimson.They were in a smoke filled share house, kicking back, head nodding to each other whilst appreciating the beauty of Led Zeppelin 4.
The opening track ‘Balshazzar’ sets the tone for a late ’60s early / ’70s fuzz-a-thon which continues throughout the seven track offering. Continue reading →
It must be something in the whiskey. Dallas has delivered some absolute monster bands over the years. (See a review here of WF buddies Mothership for further evidence of this HERE) Which brings me to Wo Fat. I’d bought a couple of their early albums, and always dug ‘em but they then managed to slip under my radar. Until now! Midnight Cometh, which is their fifth studio release (to go with a live record and a coupla split releases) recently landed in my inbox, and straight outta the gate, it impressed the fuck outta me. Continue reading →
Gozu. I’m guessing this is Japanese for “hardhitting stoner four-piece from Boston”. Flashy guitars, hyperactive drumming, thunderous bassplaying and a booming powerhouse vocalist to cap it all off is what we’re dealing. The songs are strong, and awesomely gritty too.
Marc Gaffney’s supreme vocal prowess hints at Ian Astbury and occasionally Chris Cornell and are both soulful and rockin’. Musically, they display alot of originality with lotsa chunk and some well balanced with melody too. Doug Sherman is a riffmaster when he gets his paws on his guitar, and more than ably backed up by the rhythm section comprised of Joe Grotto on bass and Mike Hubbard on drums. Continue reading →
While on a European tour with the equally mighty Wo Fat, Dallas, Texas power rock trio Mothership, stopped off at Freak Valley and have delivered us their Live Over Freak Valley LP, and fans of heavy music should be grateful they did. Sounding like the bastard spawn of Blue Cheer, Sabbath with Hendrix looking on, Mothership combine heavy-handed riffs with a powerful groove but most importantly sound like they’re having a blast when they hit the stage. The Juett brothers masterfully handle the guitar and bass duties while splitting the vocals between them and drummer Judge Smith lays down some ballsy and fluid drum beats to tie the whole thing together
Opening the set with ‘Hallucination’, an instrumental that starts with a slow crawl but soon kicks in with a galloping riff-fest. They back it up immediately with the behemoth tune ‘Lunar Master’. Continue reading →
Chron Goblin are a fun-loving bunch of Canadian riff-mongers who have spent the last 6 years deafening the hordes of Canada, North America and the UK. And there’s a lot to like about them too. Finding their third LP, Backwater in my in-tray was almost like a gift from the Gods (of rock’n’roll). It was already high on my “must purchase soon” list, and I was getting ready to pull the trigger.
The first couple of tunes are the heavy hitting ‘Fuller’ and ‘Seattle’ and bring to mind the high-energy r’n’r of bands like The Shrine or ASG. Meaty and punchy, lots of raw power, melody and a fine strut to ‘em. But don’t write them off as a one trick pony just yet, ‘cause as soon as you start to think the ‘Goblin have dug in for some deep and meaningful riff-driven pummelling, they wrench the wheel to the side and mentally sideswipe us with ‘Backwater’.