BLUES PILLS ‘Holy Moly’ Album Review + Elin Larsson Interview.

Words / Interview El Jefe.
Photos Patric Ullaeus.

If you’re a fan of heavy psych-rock with big, clean femme vox and you haven’t already checked out Blues Pills, I’d suggest their third LP, Holy Moly wouldn’t be a bad place to get on board.

Blues Pills are now approaching ten years old (they grow up so fast!), and, as bands tend to, have had a couple of personnel changes. Founding members Elin Larsson and Zack Anderson remain, with Zack recently switching to guitar to accommodate the departure of original guitarist Dorian Sorriaux. Long time drummer André Kvarnström now has Kristoffer Schander as his rhythm section “partner in crime” and the pair do a mighty fine line in rnr too.

‘Proud Woman’, a tune whose lyrical content is much needed in this day and time stamped a hefty footprint on the colour and tone of Holy Moly. Ripping vocals, some sweet gospel-esque b/v’s, raunchy and riff-heavy, it’s a driving thunderous tune.

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JASON PC (DERN RUTLIDGE) Interview.

Words Anthony Moore.

Legendary Melbourne band, Dern Rutlidge, are back to play a one-off gig, so I thought I’d throw a few questions in at bassist Jason PC….

Anthony Moore: Dern Rutlidge are back for a one-off show at The Bendigo Hotel,
Melbourne on Sat 1 Feb, what’s taken so long?

Jason PC: We are old and lazy and our drummer has been living in Thailand for the last 10 years or so. He is back for a holiday with his family so we figured it was a good time to get the band back together… for one night at least.

AM: Will this one be the last ever?

JPC: No idea if it will be the last one, we like each other, we like playing together, it’s just not convenient to do very often. We may do something in another few years to reminisce about the old times etc… its just some fun. We are not here to impress kids or “make anime for ourselves”, we are living on past glories for no reason other than we like to play the songs every now and again. Continue reading

2016 TOP 10 RELEASES! Desert Highways staff + special guests from Orange Goblin, Monolord, Pagan / Little Lamb & The Rosemary’s!!

Words Anthony Moore.

There were some amazing releases that come out in 2016, and as with every year, I start out with the best of intentions keeping a list of my favourites as they hit, only to let it fall by the wayside by about March. Yeah I know, it doesn’t last long! So undoubtedly I will forgot lots of great releases from 2016. There’s been the talked about releases like Metallica’s Hardwired… To Self Destruct (which for me has been quite a disappointment, some moments of clarity and power but as whole, it wasn’t the driving force I was hoping for), then there’s been some that have come out of left field that have really thrown me for six and impressed me quite a lot, like Electric Magus Olympus Noms, which is Raul Sanchez (Magic Dirt, River Of Snakes, Midnight Woolf) latest offering through Wild Animals Records. Like with John Frusciante’s solo albums, some sound quite unique and very different to his work with Red Hot Chili Peppers (which is an awesome thing these days!) yet his style and soul still comes through in various ways. Electric Magus is like this for Sanchez compared to his ‘usual’ guitar driven work. It’s totally different yet still somehow connects with me for the same reasons.

I still listen to loads of releases from all around the world, but more and more as time goes on I find myself mainly listening to local bands. Possibly for a few reasons, I like to support local muso’s and friends, it’s possible to see them more live which in turn gets us more stoked on listening back to a band later, and maybe most importantly, there are just so many fuckin incredible bands in Melbourne and throughout Australia that there’s not enough time to sometimes reach out further. Continue reading

BRANT BJORK And The Low Desert Punk Band ‘Tao Of The Devil’ Album Review.

Words El Jefe.

So it’s no secret that Kyuss have had a massive influence over the heavy / stoner / desert rock (whatever you want to call it; stoner works for me) scene since their inception in the late ‘80s. Tuning down to C, (although Homme claims he wasn’t familiar with Sabbath. Yeah, I’m skeptical too), and playing laidback heavy grooves. Garcia’s vocals were a huge part of the sound and influence, but it was Brant Bjork’s influence on Garcia that led to this vocal style; during Garcia’s audition suggested he try to sing slower and sang him an example. Bjork also hand a large hand in the songwriting. The rest is (musical) history.

‘The Gree Heen’ opens the ledger on Tao Of The Devil, and kicks off with a slick melodic droney run. Some jazzy drums are a cool touch too. Continue reading