There were some amazing releases that come out in 2016, and as with every year, I start out with the best of intentions keeping a list of my favourites as they hit, only to let it fall by the wayside by about March. Yeah I know, it doesn’t last long! So undoubtedly I will forgot lots of great releases from 2016. There’s been the talked about releases like Metallica’sHardwired… To Self Destruct (which for me has been quite a disappointment, some moments of clarity and power but as whole, it wasn’t the driving force I was hoping for), then there’s been some that have come out of left field that have really thrown me for six and impressed me quite a lot, like Electric MagusOlympus Noms, which is Raul Sanchez (Magic Dirt, River Of Snakes, Midnight Woolf) latest offering through Wild Animals Records. Like with John Frusciante’s solo albums, some sound quite unique and very different to his work with Red Hot Chili Peppers (which is an awesome thing these days!) yet his style and soul still comes through in various ways. Electric Magus is like this for Sanchez compared to his ‘usual’ guitar driven work. It’s totally different yet still somehow connects with me for the same reasons.
I still listen to loads of releases from all around the world, but more and more as time goes on I find myself mainly listening to local bands. Possibly for a few reasons, I like to support local muso’s and friends, it’s possible to see them more live which in turn gets us more stoked on listening back to a band later, and maybe most importantly, there are just so many fuckin incredible bands in Melbourne and throughout Australia that there’s not enough time to sometimes reach out further. Continue reading →
In a dream one night I found myself at a raging party, when I stepped through a door into a room with a dimly lit pool in it. The water was cool and blue, the tiles red & black. I jumped in and as I floated, suspended in motion, I heard music coming from giant speakers in the side of the pool. The unmistakeable sound of Magic Dirt was pulsating through the liquid, the tone filtered and murky.
Magic Dirt axeman, Raül Sanchez i Jorge has recently put out his second solo record, Masks, (as he also played all the instruments on Midnight Woolf’s original release, it’s counted as his first), and it’s best described as sounding like fragments from a dream.
“Just yesterday I dreamt I was playing with PJ Harvey” Raul tells me when I ask him if he’s hears music in his sleep. “I dream music and about music all the time, I’ve written songs that came to me in dreams, its nuts! The hard bit then is remembering it and getting it down before it evaporates.”