This month there was a clash of gigs I’d applied for and my pass for Ash came through first. Leading up to it knowing all my photographer mates would be at The Wombats show I was thinking “geez have I made the right choice?” and the answer is YES. Yes I did. With bands that have been around as long as Ash there’s always some trepidation if you haven’t seen a band live before that they might not be any good live, or what if they aren’t as good as they were back in the days of Britpop, have they got old and lost their ability to hit the right notes or have any stage presence? Well they are awesome live, sound amazing and Tim Wheeler is a fantastic frontman. 18 year old me was ecstatic!! Continue reading →
An interesting fact about Wednesday is that this character from The Addams Family named after the weekday was apparently called it by her father because “Wednesday’s child is full of woe”; upsettingly upon entrance into Fowler’s Live on this “Hump Day” evening, it appeared as though the daughter of Charles Addams had used her evil abilities to diminish Adelaide’s spirit with only a minuscule audience present for the opening act. But as former NBA star Paul Pierce once said: “The game isn’t over till the clock says zero” – truthfully, there was not one aspect about this show that represented zero at all, so the show must go on.
To say that local quartet Lead Worm were ecstatic about opening this event would be a vast understatement; it was made abundantly clear by frontman / guitarist Michael Van on numerous occasions. However, from this writer’s point of view, this was the most spirited the outfit actually became in their 40 minutes in the stage light. Admittedly, there was the reduced stage size acting as a challenging obstacle, that was more than apparent and influential on the four-piece’s abilities – although honestly, the band members seemed to have little interaction with each other or their audience during song performance. Respectably, they do transport themselves into their own musical universe that lands somewhere around the post-grunge label and it is an accomplished amalgamation. All-in-all though, their delivery presents itself as slightly insipid. The influence of Californian band Oleander was enjoyably evident on songs ‘Forgive Me’ and ‘Wasted’; furthermore, Lead Worm did have the responsibility of warming up the crowd which had now grown exponentially and to that degree, they achieved a satisfactory result. Nevertheless, maybe with more bigger supporting roles and some touring opportunities, the quartet could grow to a formidable group. Continue reading →