Photos Sally Townsend Photography.
Interview Mark Ireland.
Photo Eriko Kagawa.
Church Of Misery (Japan) landed in Brisbane yesterday to kick off their Australia / New Zealand tour as part of the Doomsday Festival by 666 Entertainment. Mark Ireland caught up with their founder, bass player and songwriter Tatsu Mikami.
Mark Ireland: The 7 inch cover ‘Hallowed Axe‘ is a copy of the classic John Mayall Blues Breakers album cover, has the 60’s blues scene inspired your sound?
Tatsu Mikami: I am not influenced directly that much. However, many 70s heavy rock bands which became basic of our musical roots are influenced by the blues. Therefore I think that it may be said that we come under influence indirectly. Continue reading
Words Dan McDougall.
Photos Sally Townsend.
I like the doom scene. For a guy who has spent most of his musical career surrounded by intense thrash and death metal bands going to a doom show is such a relief. What I find to be the biggest point of difference is that thrash bands spend all their time crafting intricate and incredibly fast riffage, while doom bands spend all their time trying to get the most devastating guitar tone imaginable. And boy was that on display on this fine Sunday afternoon. I got there a little late so I missed the first band (Sumeru) unfortunately, but many good things were muttered about them in the front bar, the most notable being that the front man was doing his best Phil Anselmo impression and doing quite a good job of it. That gets two thumbs up from me straight away. Continue reading
Words Alexandra Ferrier.
Photos Sally Townsend.
Doomsday promised an impeccable night, boasting a killer line up and pulling out all the stops to give Melbourne’s community of doom and sludge enthusiasts a night of pure bliss. It showcased some of Melbourne’s best local talent, teamed with international heavy weight headliners Windhand and Beastwars. The spirit was high and the excitement grew over the course of the evening, especially in regards to this being Windhand’s first tour of Australia. There was no doubt this five piece from Richmond, Virginia had struck a chord in the hearts of Melbournians with their fusion of metal and psychedelic rock.
Motherslug opened the evening and set the tone of what was to come. Shrouded in green light, their set was incredibly atmospheric and stoked the fires of early punters. Horsehunter followed, taking the stakes even higher with their thunderous, fortifying sound, rich with melodic constructs and progressions. They seem so beyond their years. DEAD were another band that blew me way. Having been my first time witnessing this band, I hadn’t seen such ferocity from a two piece since San Franciscan sludge / doom outfit Black Cobra. They proved themselves to be just as intense as those that preceded them, proving that a band doesn’t need an epic set up and an army of members to conjure and project a sound with such force. Continue reading