Here’s a few of the Desert Highways team’s Top lists for 2018. Thank you all for your support again throughout 2018, it’s very much appreciated! Also a massive thanx to all of our contributors. Very proud to work with such an incredibly talented group of people!
Fitting weather for a Church Of Misery show I thought to myself as I heading to the ‘Stag. Pissing rain and cold, in the early days of Spring. Yeah, that would be right!
Being fashionably late, I had well and truly missed the first couple of bands, and arrived for the last 3 songs by Dawn, with their tripped out doom. I always enjoy this band, and the self-indulgent theatrics (playing a mortar and pestle, as a mate described some of the percussion) add to the show. Heavy, sludgy and totally dedicated to the song, Dawn are really worth a look.
I stepped out briefly to grab a kebab (a necessary counterpoint to the beer that was going down so well), and missed the first couple of tunes by Sumeru. I wasn’t familiar with these dudes at all, but the tight, ripping stoner-metal was first-rate, powerful vocals, twin screaming guitars which were often syncing with each other flawlessly, and other times opposing each other with a fierce aggression. I’ll definitely check ‘em out again! Continue reading →
There were some amazing releases that come out in 2016, and as with every year, I start out with the best of intentions keeping a list of my favourites as they hit, only to let it fall by the wayside by about March. Yeah I know, it doesn’t last long! So undoubtedly I will forgot lots of great releases from 2016. There’s been the talked about releases like Metallica’sHardwired… To Self Destruct (which for me has been quite a disappointment, some moments of clarity and power but as whole, it wasn’t the driving force I was hoping for), then there’s been some that have come out of left field that have really thrown me for six and impressed me quite a lot, like Electric MagusOlympus Noms, which is Raul Sanchez (Magic Dirt, River Of Snakes, Midnight Woolf) latest offering through Wild Animals Records. Like with John Frusciante’s solo albums, some sound quite unique and very different to his work with Red Hot Chili Peppers (which is an awesome thing these days!) yet his style and soul still comes through in various ways. Electric Magus is like this for Sanchez compared to his ‘usual’ guitar driven work. It’s totally different yet still somehow connects with me for the same reasons.
I still listen to loads of releases from all around the world, but more and more as time goes on I find myself mainly listening to local bands. Possibly for a few reasons, I like to support local muso’s and friends, it’s possible to see them more live which in turn gets us more stoked on listening back to a band later, and maybe most importantly, there are just so many fuckin incredible bands in Melbourne and throughout Australia that there’s not enough time to sometimes reach out further. Continue reading →