There is a quote by the infamous and supposed anonymous UK-based graffiti artist Banksy that states: “Art should comfort the disturbed and disturb the comfortable” – this in retrospect, operates as a very suiting theme for what transpired at this event. The South Australian summer had certainly exposed its true colours providing sauna-like conditions, which was quite the opposite from both touring bands’ current home weather statuses (UK and Canada respectively). Landing on a Tuesday evening was also more of a predicament in terms of attendance, with spectator numbers being best described as dozens initially. However, art, more specifically punk music was never about “comfort”; truthfully it is more likened to rebellion, the underground and discomposure. So essentially these “conditions” as it were, surmised to an accommodating scenario. Continue reading →
Since blowing up during the Swedish hardcore-punk scene of the early ’90s, Refused have gained a reputable name for themselves worldwide as they have continuously been one of the bands on the forefront of the phenomenon.
With time comes age, experience, influence and the overall state of the world, so it’s inevitable that their sound might have changed since their 1998 release The Shape Of Punk To Come. Following their longstanding hiatus (1999–2009) that was broken with speculation, rumours and a 2012 world tour, Refused released their first studio album in 17 years during 2015 via Epitaph Records. Titled Freedom, the 10-track brought critics and fans all over (again) out of hiding and straight back into the pit. As they embarked on another run of international shows, their new album became a celebration in itself. Fast forward a year, and Refused announced that they’d be coming back Down Under in early 2017… and the time has arrived! Continue reading →