Immediacy is the first word that come to mind as soon as the track ‘Doom Boogie’ drops first on the El Colosso album, Pathways. Its relentless riffs never let go, vocalist Matt Cooper is an absolute powerhouse monster of a singer, reminiscent of all my favourite singers from the last 20 years; Layne Staley, Chris Cornell and a million other in between his pitch and range are out of this world, he holds the words in such taut tight control, that you become breathless in awe.
The single ‘Leatherhead’ is a perfect first release, its groove heavy rhythm will have you punching holes in the walls and screaming with ecstatic pleasure.
‘The Hunted’ just pulverises your ears until a river of blood is flowing.
The title track ‘Pathways’, has more ridiculously heavy riffling that entrances you so deep that not even a trained hypnotist could wake you up! Continue reading →
The entire journey for this writer to attend this extremely exclusive show was full of pleasant surprises. Conveniently landing on a Thursday night just before an already scheduled trip to the magnificent city of Melbourne; this was the first of many instances of good fortune which thankfully continued as the event progressed. Writer Ron Carlson captured the essence of the adventure best with his quote: “Life is an aggregate of experience, which continually surprises us”.
The first enjoyable surprise came in the form of the delightfully small yet powerful woman known as Mojo Juju who amongst the hustle and bustle of a building and restless crowd made her presence known very quickly. Armed with just a guitar, different to her usual band setup with musician friends and family in tow, Ms. Ruiz de Lezuriaga silenced the audience with a transition in her voice from a sombre Julia Stone-esque fragility to a deafening superhuman bluesy wail that Chris Cornell would seek advice on how to deliver. Mojo’s songs are fortified with soul and heartfelt lyricism showcasing a maturity which musicians strive to achieve for their entire lives. This talent is amplified by her unnerving yet stunning loud-quiet combinations in her music which is seasoned with an almost indigenous effect; in short she has a poppy charm with a dangerous grunt. This was presented impeccably with her compelling rendition of Jay Hawkins’ ‘I Put A Spell On You’ which somehow shone a blinding light on a dark room and captivated the entirety of the venue. Continue reading →
Gozu. I’m guessing this is Japanese for “hardhitting stoner four-piece from Boston”. Flashy guitars, hyperactive drumming, thunderous bassplaying and a booming powerhouse vocalist to cap it all off is what we’re dealing. The songs are strong, and awesomely gritty too.
Marc Gaffney’s supreme vocal prowess hints at Ian Astbury and occasionally Chris Cornell and are both soulful and rockin’. Musically, they display alot of originality with lotsa chunk and some well balanced with melody too. Doug Sherman is a riffmaster when he gets his paws on his guitar, and more than ably backed up by the rhythm section comprised of Joe Grotto on bass and Mike Hubbard on drums. Continue reading →