For the 4th Punks Against Poverty show I wanted to do something special and made it a Christmas show. I actually hate Christmas but I figure homeless people probably hate it more than me so why not try to put a happy spin on a shitty situation that’s still happening in the world.
I enlisted some of Perth’s coolest kids to pretend not to be Grinchier than me and sing Christmas songs, there was some resistance but they did it and nobody died. Grant Larseny took this one step further by actually writing a song for it! It’s a great song about Christmas in Australia and I think we can all identify with it on some level. It’s available for download on Bandcamp so definitely check it out!
New band Triggered covered Tim Minchin’s ‘White Wine In The Sun’, Incomplete covered Kevin Bloody Wilson, Joanie Get Angry sang ‘Do You Want To Build A Snowman’ and I’m gutted I missed it I really wanted to see what they did with a Disney song, Blindspot sang about 8 White Boomers and lastly Benny Mayhem sang The Pogues ‘Fairytale Of New York’. I had a playlist of random Christmas songs to play inbetween and despite not hearing half of the songs (it didn’t get paused while the bands played) The Wiggles ‘Felice Navidad’ played and I was feeling pretty proud of myself. Yes I played The Wiggles at a punk show. Continue reading →
Every time I head off to a show or a photoshoot I have this mini panic attack where I’m 100% convinced I’ve forgotten something important, only I haven’t. Tonight I spent an hour travelling to a show just to discover I left my camera battery on the kitchen counter. Of all the nights I choose tonight to screw up and I have all the regrets. ALL. THE. REGRETS. So I decided I’ve give reviewing another shot so I could feel less guilty for having a door spot. I know right, what’s wrong with me?
First up for tonight was The Shakeys. This is the third time I’ve seen them this week and in total contrast to the other nights this room didn’t have too many people there to see the opening act. This didn’t stop the band putting on one hell of a performance though. Come to think of it, I don’t think I’ve ever seen The Shakeys do a half-assed performance! Claire is a badass front woman and full of attitude. They started their set off with ‘Don’t Make Me Crawl’, and during their next song ‘Pink Demon’ people started getting off their seats and moving closer to the stage. They mentioned opening for Marky Ramone on Tuesday night and how he insisted they do a couple of covers. They decided they loved the songs and kept them in their set. Quite literally, it’s the same set as Tuesday night. This just made my job tonight so much easier. I can’t say that for the other bands though. During their final song ‘Drinkin Till Dawn’, they were joined on stage by members of The Beehives GoGo Dancers who danced up a storm. I’ve now decided The Shakeys need gogo dancers at every show! My opinion matters and everyone should listen to me. Continue reading →
Cosmic Kahuna have been slogging away on the Melbourne punk scene for a couple of years, released a few EP’s, played a stack of shows, supporting people like CJ Ramone, and will be supporting Foo Fighters on their upcoming tour.
Tonight was the launch of their debut album Paintstripper. The title is all in the telling, it’s an album of brutal as fuck hard core punk. As well as Cosmic Kahuna, the band also brought a heap of their mates along to celebrate the launch.
Uncle Geezer kicked off the shenanigans with a brutal set of hardcore thrash; nothing says punk rock like a lead singer jumping around the front bar in his purple jocks, while singing through a water bottle. Continue reading →
French writer Jean-Baptiste Alphonse Karr once wrote in his epigrams: “Plus ça change, plus c’est la même chose”; which for those of unfamiliar with French translates to “the more it changes, the more it’s the same thing”. Groovin The Moo in 2017 made its first appearance in South Australia at the infamous Adelaide Showgrounds, vastly different from its original location in Oakbank. However, the sell-out crowd were once again greeted with a gloomy winter-esque atmosphere (referred to as “Groovin The Mud” in past years), but misery was far from consideration by the attendees, if there were premises to assign to the festival – “victory” and “mystery” would be certainly suiting.
Adelaide-based progressive folk luminary Tom West had the privilege of the opening slot for the festival and brought out his entire arsenal for the presentation. A six-piece band including keys and a banjo serenaded the early observers, although not quite in a spirited fashion, more-so a soothing manner. Single ‘Easy, Love’ was the standout which channelled Pennsylvania’s criminally unknown Koji; honestly though, it wasn’t an enthusiastic engagement but a warm welcome nonetheless. Continue reading →
Yeah, Friday had finally hit. I’d spent the week learning new systems and processes in a brand new job, and whilst not physically tiring, it’s certainly mentally draining, but the Nashville Pussy gig (and a beer or two… dozen) was never far from my mind.
I grabbed a beer and hit the room to check out Melbourne’s Tequila Mockingbyrd. This all-girl three-piece do a great trade in ‘70s hard rock, big riffs, hair, and a fuckload of energy and enthusiasm. It was clear they were having a blast onstage. Singer / guitarist Estelle Artois plays some mean guitar, and has a great set of pipes too. Backed by a solid rhythm section, which is comprised of bass player Jess Reily (who was wielding a pretty funky silverburst T-bird too!) and drummer Josie O’Toole, they’ve got all their bases covered. Check ‘em out when you can. Continue reading →
Stoner legend Brant Bjork has been a frequent visitor to our shores, so when his tour was announced, all the desert rats come out in droves. Before the show at The Corner, Bjork had already played Negative Waves in Geelong and Cherry Rock at Cherry Bar. Along for the ride he bought Holy Serpent, Don Fernando and Fuck the Fitzroy Doom Scene.
It’d been a long time between beers since I’ve seen FTFDS so I made sure I was front and centre. As soon the riff for ‘Better Off Dead’ kicked in I was pinned to the wall. The unique thing about this band is the three part harmonies, it gives the performance incredible strength. They finish off with the sludgiest version of ‘Facing The Ruin’, by the end of the set my heart was in my throat and my ears were blasted, did I care? Not in the slightest. Continue reading →
Tonight was a night to melt your face, a warmth in this cold night, where thou shalt rock out with a blend of genre bending and aggressive rawk!! From the punkrock, ska and hallucinogenic rock, TheDwarves at the Imperial tonight commandeered them all!
Legal Aliens kicked the night off in fine fashion to a decent crowd filling slowly as they played. Their singer Mal wasn’t afraid of the crowd, in amongst it from the start. Think X-Ray Spex if they were more street punk. They sang life relevant lyrics to rock to. Like a well-oiled machine, this band hustled and entertained from the outset. Their songs included ‘Meta Cognition’, ‘Mummy Rescue Me’, ‘Playin’ With Monsters’, and a Beastie Boys cover ‘Deal With It’. Continue reading →
With a great first impression on my visit to last year’s Rites of Passage, I thought it’d be as good a time as ever to come back again to see what the acclaimed tattoo festival had to offer this time. On a colder April day than usual, it was great to finally return to the Royal Exhibition Building for the annual body art expedition.
With mostly locals at Rites of Passage such as Frankie Lee’s, EastBrunswickTattoos, MelburnMadeInk and BennyBones, there was a collective of international talent that showcased the abilities they had, such as VisualOrgasm from Singapore, SpacifikInk from New Zealand, ThreeTidesTattoo from Japan, TattooFamily from Malaysia, PaulMartinTattoo from Scotland and even a travelling artist named JoshuaSara from Melbourne. Each and every parlour came with their own unique style to display throughout the venue. From Japanese to European, to expensively detailed portraits, anything that came to the mind of a patron was there in that exact building. Continue reading →