Fireball Ministry are back in town with their brand spankin’ new LP, Remember The Story tucked under their (collective) arms. It’s been several years between drinks too, and this is also the first album with Scott Reeder (Kyuss, Sun and Sail Club, The Obsessed)) holdin’ the low-end down for the group. His fluid bass runs certainly add to the stadium rock that FM are renowned for too.
‘End Of Our Truth’ slow-groove rock slithers and shakes through some catchy licks, and some nice guitar action too.
The production team got a bit a workout on ‘Everything You Wanted’ with some effects trickery tossed in during the breakdown. Continue reading →
Cosmic Kahuna have been slogging away on the Melbourne punk scene for a couple of years, released a few EP’s, played a stack of shows, supporting people like CJ Ramone, and will be supporting Foo Fighters on their upcoming tour.
Tonight was the launch of their debut album Paintstripper. The title is all in the telling, it’s an album of brutal as fuck hard core punk. As well as Cosmic Kahuna, the band also brought a heap of their mates along to celebrate the launch.
Uncle Geezer kicked off the shenanigans with a brutal set of hardcore thrash; nothing says punk rock like a lead singer jumping around the front bar in his purple jocks, while singing through a water bottle. Continue reading →
So here comes a new release from House Of Broken Promises. Those who know would know. Guitarist / vocalist Arthur Seay and drummer Mike Cancino have done time with Unida, one of John Garcia’s post Kyuss projects. Their debut LP, Using The Useless was a stoner beast. Raw, wild and unstoppable. Just the way I like it! They have been joined in recent years by Joe Mora on bass / vocals (replacing Eddie Placencia), and they have just rolled the Twisted EP off the production line. Four new tracks (two covers) plus some bonus tracks. I think I heard rumours of a new full-length in the pipeline too. But that’s a different story!
‘Twisted’ is the first of the new material, a classic HOBP tune, kicked off with a carnivale-esque drum roll before the vibe-y bass assault and Seay’s blasting stoner-metal guitar leap into the fray. Great bass tone on this too. For all you bassists out there! Catchy chorus too. Continue reading →
Straight out of the gate Cosmic Kahuna get to work, no fucking around. ‘Fault in the AE–35 Unit’ pummels the listener into submission with no apologies.
Get back in the ring, wait to regain consciousness and then the track ‘Muzzle’ will be hard and sharp steel cap to the head. If you can see straight after this track, try and shake it off and
head straight into ‘Hazy Cosmic Jive’.
‘Gossamer’ is a deep sludge fest. It’s impossible not to get caught in the riffs. Like quicksand, it sucks you in and refuses to let go.
This is one hell of a relentless album, it doesn’t let go for a microsecond. If you’re a fan of ’80s hardcore bands this is right up your alley. It’s the kind of album you would play if you were on a work site and were in charge of demolition; just start the wrecking ball and smash shit until there is nothing left but dust. Continue reading →
In the mid ’90s there was not one single band that was more political than Rage Against The Machine, their self-titled album was like a punch in the throat while be being suffocated. Their militancy and strong lyrics made crowds think that shit could be changed, everything that they sang about they backed it up with passion and knowledge, there wasn’t an inch of fakery about them.
So when it was announced that 3/4 of Rage (Tom Morello – guitar, Brad Wilk – drums, and Tim Commerford – bass) were teaming up with hip hop heavy weights Public Enemy‘s Chuck D (vocals) and DJ Lord (turntables) and Cypress Hill‘s B-Real (vocals), to form Prophets of Rage (named after a Public Enemy track) it was like the Messiah had returned. Continue reading →
Ben Ely is best known for playing bass with Regurgitator for over 20 years. The Gurge are well known for their irreverent sense of humour and pop punk tunes, so when I heard the first track ‘1988’, which is a beautiful dark tune about Ely growing up in Brisbane, it completely floored me. It’s a deep and personal story about Ely and his mates first adventures of going to punk rock shows and getting into fights with bouncers and thugs.
I was definitely not expecting this kind of album at all, and to be honest, Strange Tales of Drugs & Lost Love nailed me to the wall from the first track onward. Ely’s introspective story telling about his adolescent growing up in Brisbane is like an open wound, his personal honesty is incredibly raw and poetic. Continue reading →
Melbourne grind core / yobcore legends King Parrot have unleashed their third LP, a character building behemoth called Ugly Produce. The moniker suits the album to a T! It’s a bruising and relentless collection of blast-beats from drummer Todd Hansen, searing guitars and guttural, tortured vocal mayhem.
‘Entrapment’ is used as the launchpad for the sonic time bomb that follows. The two jackhammers fucking rhythmic attack delivers a powerful impetus for the blaze of guitars and Matt Young’s crazed vocal “styling’s”.
Who but an Aussie band could write a tune called ‘Piss Wreck’. Spell check won’t even recognize it as English, but we all know someone who should embrace this song as a personal anthem. It’s a cool song too. Continue reading →
Immediacy is the first word that come to mind as soon as the track ‘Doom Boogie’ drops first on the El Colosso album, Pathways. Its relentless riffs never let go, vocalist Matt Cooper is an absolute powerhouse monster of a singer, reminiscent of all my favourite singers from the last 20 years; Layne Staley, Chris Cornell and a million other in between his pitch and range are out of this world, he holds the words in such taut tight control, that you become breathless in awe.
The single ‘Leatherhead’ is a perfect first release, its groove heavy rhythm will have you punching holes in the walls and screaming with ecstatic pleasure.
‘The Hunted’ just pulverises your ears until a river of blood is flowing.
The title track ‘Pathways’, has more ridiculously heavy riffling that entrances you so deep that not even a trained hypnotist could wake you up! Continue reading →