For the 4th Punks Against Poverty show I wanted to do something special and made it a Christmas show. I actually hate Christmas but I figure homeless people probably hate it more than me so why not try to put a happy spin on a shitty situation that’s still happening in the world.
I enlisted some of Perth’s coolest kids to pretend not to be Grinchier than me and sing Christmas songs, there was some resistance but they did it and nobody died. Grant Larseny took this one step further by actually writing a song for it! It’s a great song about Christmas in Australia and I think we can all identify with it on some level. It’s available for download on Bandcamp so definitely check it out!
New band Triggered covered Tim Minchin’s ‘White Wine In The Sun’, Incomplete covered Kevin Bloody Wilson, Joanie Get Angry sang ‘Do You Want To Build A Snowman’ and I’m gutted I missed it I really wanted to see what they did with a Disney song, Blindspot sang about 8 White Boomers and lastly Benny Mayhem sang The Pogues ‘Fairytale Of New York’. I had a playlist of random Christmas songs to play inbetween and despite not hearing half of the songs (it didn’t get paused while the bands played) The Wiggles ‘Felice Navidad’ played and I was feeling pretty proud of myself. Yes I played The Wiggles at a punk show. Continue reading →
Stoner rock power trio Borracho have had a busy 12 months; releasing two full-length LP’s in this period and they’ve backed up the excellent Atacama with Riffography, and it’s yet another grease and dirt road trip from hell.
Soundwise, Borracho are a gutsy and powerful unit, heavy on both grooves and distortion. And they know when to pull back as well as when to drop the clutch and hammer the riff home too. Supremely cohesive songwriting coupled with their playing always makes for a great album as well.
Riffography opens with the ball-tearing ‘Rectify’, and is quickly backed up with ‘Circulos Concentricos’, a re-recording of ‘Concentric Circles’ from their 2011 debut, Splitting Skies, and given a Spanish facelift and a great mangled guitar attack. Continue reading →
Every time I head off to a show or a photoshoot I have this mini panic attack where I’m 100% convinced I’ve forgotten something important, only I haven’t. Tonight I spent an hour travelling to a show just to discover I left my camera battery on the kitchen counter. Of all the nights I choose tonight to screw up and I have all the regrets. ALL. THE. REGRETS. So I decided I’ve give reviewing another shot so I could feel less guilty for having a door spot. I know right, what’s wrong with me?
First up for tonight was The Shakeys. This is the third time I’ve seen them this week and in total contrast to the other nights this room didn’t have too many people there to see the opening act. This didn’t stop the band putting on one hell of a performance though. Come to think of it, I don’t think I’ve ever seen The Shakeys do a half-assed performance! Claire is a badass front woman and full of attitude. They started their set off with ‘Don’t Make Me Crawl’, and during their next song ‘Pink Demon’ people started getting off their seats and moving closer to the stage. They mentioned opening for Marky Ramone on Tuesday night and how he insisted they do a couple of covers. They decided they loved the songs and kept them in their set. Quite literally, it’s the same set as Tuesday night. This just made my job tonight so much easier. I can’t say that for the other bands though. During their final song ‘Drinkin Till Dawn’, they were joined on stage by members of The Beehives GoGo Dancers who danced up a storm. I’ve now decided The Shakeys need gogo dancers at every show! My opinion matters and everyone should listen to me. Continue reading →
Amalie Bruun, better known as Black Metal multi-instrumentalist Myrkur has been the subject of both global praise and repulsive condemnation in her short three year existence creating magnificent music under the moniker. Having received atrocious death threats after the success of her exquisite debut LP M, Ms. Bruun utilised this animosity to provoke her creativity and the result is her astonishing sophomore record Mareridt.
Title and opening track ‘Mareridt’, the initiation into her artistic response and journey to the Earth’s reaction to the organic design that is Myrkur, acts as a spiritual calling; an invitation for her followers and adorers to come close to safety from the storm that is the banishment she is about to afflict on her adversaries. In retrospect it is a historic “Kulning” call and it honestly defies beauty. Continue reading →
Sydney based stoner metal four-piece Hypergiant have been kicking around the scene for several years now. I first caught ‘em a few years back during their infancy, and already with a set of fairly decent heavy rock songs and some covers by the likes of Mastodon and The Sword thrown in, which left no doubt as to the bands’ parentage. They released an EP, Planet Cracker 2-3 years back, and it was a cool collection of tunes. But flash-forward to Father Sky, and there is a very different beast stalking the scene. The songs are brutal, and the production is mature, well-thought out and effective and should also see these dudes garner some well-deserved attention. They’ve interspersed their powerful metal bludgeon with an aural soundscape suited to an alien horror film, which certainly adds colour to their stylistic attack. Continue reading →
Fireball Ministry are back in town with their brand spankin’ new LP, Remember The Story tucked under their (collective) arms. It’s been several years between drinks too, and this is also the first album with Scott Reeder (Kyuss, Sun and Sail Club, The Obsessed)) holdin’ the low-end down for the group. His fluid bass runs certainly add to the stadium rock that FM are renowned for too.
‘End Of Our Truth’ slow-groove rock slithers and shakes through some catchy licks, and some nice guitar action too.
The production team got a bit a workout on ‘Everything You Wanted’ with some effects trickery tossed in during the breakdown. Continue reading →
Cosmic Kahuna have been slogging away on the Melbourne punk scene for a couple of years, released a few EP’s, played a stack of shows, supporting people like CJ Ramone, and will be supporting Foo Fighters on their upcoming tour.
Tonight was the launch of their debut album Paintstripper. The title is all in the telling, it’s an album of brutal as fuck hard core punk. As well as Cosmic Kahuna, the band also brought a heap of their mates along to celebrate the launch.
Uncle Geezer kicked off the shenanigans with a brutal set of hardcore thrash; nothing says punk rock like a lead singer jumping around the front bar in his purple jocks, while singing through a water bottle. Continue reading →
So here comes a new release from House Of Broken Promises. Those who know would know. Guitarist / vocalist Arthur Seay and drummer Mike Cancino have done time with Unida, one of John Garcia’s post Kyuss projects. Their debut LP, Using The Useless was a stoner beast. Raw, wild and unstoppable. Just the way I like it! They have been joined in recent years by Joe Mora on bass / vocals (replacing Eddie Placencia), and they have just rolled the Twisted EP off the production line. Four new tracks (two covers) plus some bonus tracks. I think I heard rumours of a new full-length in the pipeline too. But that’s a different story!
‘Twisted’ is the first of the new material, a classic HOBP tune, kicked off with a carnivale-esque drum roll before the vibe-y bass assault and Seay’s blasting stoner-metal guitar leap into the fray. Great bass tone on this too. For all you bassists out there! Catchy chorus too. Continue reading →
Straight out of the gate Cosmic Kahuna get to work, no fucking around. ‘Fault in the AE–35 Unit’ pummels the listener into submission with no apologies.
Get back in the ring, wait to regain consciousness and then the track ‘Muzzle’ will be hard and sharp steel cap to the head. If you can see straight after this track, try and shake it off and
head straight into ‘Hazy Cosmic Jive’.
‘Gossamer’ is a deep sludge fest. It’s impossible not to get caught in the riffs. Like quicksand, it sucks you in and refuses to let go.
This is one hell of a relentless album, it doesn’t let go for a microsecond. If you’re a fan of ’80s hardcore bands this is right up your alley. It’s the kind of album you would play if you were on a work site and were in charge of demolition; just start the wrecking ball and smash shit until there is nothing left but dust. Continue reading →