DEVIL ELECTRIC Self-Titled Album Review.

Words El Jefe.

Doom. The name says it all. From the opening riff to Black Sabbath, to the heavier than heavy tones of bands like Electric Wizard and Monolord, it’s a genre defined by dark sounds, and heavy lyrical themes. The breadth of styles within the genre is also as extreme as the sounds. The vocals can range from upper register screams to gravelrash intestine shredding and the music from the dirtiest sludge to plain old heavy rock’n’roll shot through with blues licks. But I love it all, start to finish!

Enter Devil Electric! They’re a four-piece from Melbourne and have just punched heavy music fans everywhere right between the eyes with their self-titled debut. The sound is classic doom, but they’ve also managed to twist an age-old formula to their own perverted uses, and in turn created a distinctly unique collection of songs. Continue reading

SALEM’S BEND Self-Titled Debut Album Review.

Words Adam Cooper.

When I first received the debut album from Salem’s Bend, I wasn’t sure what to expect. A three piece from the City of Angels conjured up pre conceived notions of what I thought LA was about. What I heard upon first listen was something totally different.

I actually thought I’d been visited by the ghost of Phil Lynott and he’d become mates with Fu Manchu, Blue Cheer and King Crimson. They were in a smoke filled share house, kicking back, head nodding to each other whilst appreciating the beauty of Led Zeppelin 4.

The opening track ‘Balshazzar’ sets the tone for a late ’60s early / ’70s fuzz-a-thon which continues throughout the seven track offering. Continue reading