2016 TOP 10 RELEASES! Desert Highways staff + special guests from Orange Goblin, Monolord, Pagan / Little Lamb & The Rosemary’s!!

Words Anthony Moore.

There were some amazing releases that come out in 2016, and as with every year, I start out with the best of intentions keeping a list of my favourites as they hit, only to let it fall by the wayside by about March. Yeah I know, it doesn’t last long! So undoubtedly I will forgot lots of great releases from 2016. There’s been the talked about releases like Metallica’s Hardwired… To Self Destruct (which for me has been quite a disappointment, some moments of clarity and power but as whole, it wasn’t the driving force I was hoping for), then there’s been some that have come out of left field that have really thrown me for six and impressed me quite a lot, like Electric Magus Olympus Noms, which is Raul Sanchez (Magic Dirt, River Of Snakes, Midnight Woolf) latest offering through Wild Animals Records. Like with John Frusciante’s solo albums, some sound quite unique and very different to his work with Red Hot Chili Peppers (which is an awesome thing these days!) yet his style and soul still comes through in various ways. Electric Magus is like this for Sanchez compared to his ‘usual’ guitar driven work. It’s totally different yet still somehow connects with me for the same reasons.

I still listen to loads of releases from all around the world, but more and more as time goes on I find myself mainly listening to local bands. Possibly for a few reasons, I like to support local muso’s and friends, it’s possible to see them more live which in turn gets us more stoked on listening back to a band later, and maybe most importantly, there are just so many fuckin incredible bands in Melbourne and throughout Australia that there’s not enough time to sometimes reach out further. Continue reading

SUN GOD REPLICA ‘Grandular Fever’ Album Review.

Words Katherine McKenzie.

Sun God Replica are back with their third release Grandular Fever. Considering ‘grandular’ is not actually a word, I was a little perplexed as to the meaning and concept of this album title. Perhaps it’s a play on the virus Glandular Fever? Is it about a fever or virus of grand proportions? The album cover is also not giving away any clues to the title meaning. The image on the cover is a throwback to 1970s psychedelic aesthetics and fashion, dialled up to 11 out of ten, giving the impression Sun God Replica may have raided the costume department of their local theatre company. This however is a pretty good indication of the sounds that are featured on Grandular Fever; fuzzy psychedelic rock and fun vibes that doesn’t take itself too seriously.

Opening track ‘Blow Your Mind’ kicks off the album with a ’70s psychedelic inspired number with catchy pop melodies. Upbeat, relaxed and fun is the general vibe with this song, with simple vocals, standard rock drum beats and a guitar solo, this accurately sets up the retro sounding direction of the rest of the album. The lyrics tick the box for abstract, psychedelia references, as shown by the song’s opening lyrics; “I’m a trap door spiderman, I’m holding flowers…” before launching into a chorus with the repeating lyrics of; “Want to blow your mind.” There are also references to going back in time and drugs for good measure.

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HARRY HOWARD AND THE NDE ‘Sleepless Girls’ Album Review.

Words Katherine McKenzie.

To say Harry Howard has been a part of the Australian music scene for quite some time now would be an understatement. A founding member of the post-punk band Crime & the City Solution, they released four albums before disbanding in 1991. Howard was also a member of These Immortal Souls, and has played with The Birthday Party. Harry Howard and the NDE is his current act, having released their first album Near Death Experience in 2012, and Pretty in 2014, their latest is Sleepless Girls – a combination of dark pop melodies and garage rock, while still retaining a strong sense of Howard’s 1980s post-punk roots.

‘The Only One’ is a solid opening track, complete with catchy pop hooks and simple rock riffs. The prominent pipe organ keyboards that feature throughout the track add a dark 1980s goth vibe, contrasting with the overall upbeat feel of the song. It is actually quite a fun and energetic song, that still retains a sense of moodiness, and I can almost imagine it being played in some alternative underground nightclub in London in the eighties. Continue reading