It’s always hard when someone you know asks you to review their band. It could be awesome… but what if it just isn’t your thing? or even worse, what if it’s shit? So when Andy Simpson of the legendary Don Fernando sent me a message and asked if I could listen to his new project Meathook, I thought I would do the usual thing of sending it on to someone else, but then I clicked on play…
So all you Tool fans who have been waiting 612 years for a new release, ‘The Beginning’ kicks off with an intro that would slot perfectly into Undertow, with riffs straight from the Blues For The Red Sun mixing desk, and a solo that goes on for miles; the song steamrolls across the great expanse covering everything from hard edged stoner to doom and all in between. There are no lyrics, no words, just like this review, nothing could truly describe the sound of this track, except that ‘The Beginning’ is the perfect introduction to Meathook, which will string you up by your ears and make them bleed for more. Continue reading →
Lumbering, fuzzed-out doom with road-rash vocals is something I love. The riff! All those bastard spawn of Sabbath. And I know in my bones that the power-trio Borracho have the same unwavering love for it that I have. Launching from Washington DC, (right next door to Maryland, and we know the level of STONER/DOOM that Maryland has delivered!) Borracho can really deliver on all fronts when it’s time to bring the heavy too. Atacama is the third full length LP they’ve unleashed, and fine evidence that the party ain’t nearly over yet.
‘Descent’ lurches into the blackest of Sabbath’s with a guitar tone that could rattle ya teeth outta ya head, but it’s also a surprisingly tender instrumental. Bells, some lysergic emanations throbbing in the background and easily serves to set the scene for the rest of the album. Continue reading →
There were some amazing releases that come out in 2016, and as with every year, I start out with the best of intentions keeping a list of my favourites as they hit, only to let it fall by the wayside by about March. Yeah I know, it doesn’t last long! So undoubtedly I will forgot lots of great releases from 2016. There’s been the talked about releases like Metallica’sHardwired… To Self Destruct (which for me has been quite a disappointment, some moments of clarity and power but as whole, it wasn’t the driving force I was hoping for), then there’s been some that have come out of left field that have really thrown me for six and impressed me quite a lot, like Electric MagusOlympus Noms, which is Raul Sanchez (Magic Dirt, River Of Snakes, Midnight Woolf) latest offering through Wild Animals Records. Like with John Frusciante’s solo albums, some sound quite unique and very different to his work with Red Hot Chili Peppers (which is an awesome thing these days!) yet his style and soul still comes through in various ways. Electric Magus is like this for Sanchez compared to his ‘usual’ guitar driven work. It’s totally different yet still somehow connects with me for the same reasons.
I still listen to loads of releases from all around the world, but more and more as time goes on I find myself mainly listening to local bands. Possibly for a few reasons, I like to support local muso’s and friends, it’s possible to see them more live which in turn gets us more stoked on listening back to a band later, and maybe most importantly, there are just so many fuckin incredible bands in Melbourne and throughout Australia that there’s not enough time to sometimes reach out further. Continue reading →
Red Fang. I hadn’t heard of them, but caught most of their set on a couple of years back when they shared a bill with Kyuss Lives and Orange Goblin. Pretty rockin’ I thought. Raunchy, distorted, abrasive. Loud and nasty. My kinda filth, and an excellent warm-up for both OG and Kyuss too.
Ten or eleven years into their existence, this Portland quartet are not taking the foot off the pedal and coasting. The new LP, Only Ghosts is a down and dirty mud-ride plum fulla mangled guitars, drums having the shit beaten outta them and stomach pump bass riffs. The road rash vocals are handled by guitarist Bryan Giles, while bassist Aaron Beam keeps things on the straight and narrow. Combined, they add an excellent depth to the whole shitstorm of sonic dementia. Continue reading →
Gozu. I’m guessing this is Japanese for “hardhitting stoner four-piece from Boston”. Flashy guitars, hyperactive drumming, thunderous bassplaying and a booming powerhouse vocalist to cap it all off is what we’re dealing. The songs are strong, and awesomely gritty too.
Marc Gaffney’s supreme vocal prowess hints at Ian Astbury and occasionally Chris Cornell and are both soulful and rockin’. Musically, they display alot of originality with lotsa chunk and some well balanced with melody too. Doug Sherman is a riffmaster when he gets his paws on his guitar, and more than ably backed up by the rhythm section comprised of Joe Grotto on bass and Mike Hubbard on drums. Continue reading →
The below 10 –> 1 list is from my HEAVY Magazine Staff Top 10 Albums for 2013 List, under that I had to add some more as it’s just so hard to narrow things down! Check out the HEAVY link for some more kick arse lists. Some amazing releases amongst them!