NICK OLIVERI, My Left Boot. The Cherry Bar, Melbourne. 29-03-2017.

Words Anthony Moore.
Photos Sally Townsend Photography.

For Australia it’s certainly turned into the year for the Kyuss / QOTSA member tour! Rex Everything with the Dwarves in April / May, Brant Bjork also May, QOTSA just announced they’re playing Splendour at the end of July and of course Mojo Burning bringing out Nick Oliveri!

As well as playing the Mojo Burning Fest in Brisbane, Oliveri has been touring and playing two sets a night. Firstly, his Death Acoustic set, a mix of covers and originals played on his acoustic yet sung like he’s on stage with a fully amplified band; and then a second electric set with a local backing band. For Melbourne it was the always impressive My Left Boot. Continue reading

SEEDY JEEZUS + ISAIAH MITCHELL (US), A Basket Of Mammoths, The Black Heart Death Cult, My Left Boot, Motherslug. The Tote Hotel, Melbourne. 22+23-09-2016.

Words Anthony Moore.
Photos Adam Russ – Right Eye Media Australia.

Even on paper Isaiah Mitchell (San Diego, US) with Seedy Jeezus (Melbourne, Australia) reads like a match made in heaven; the personalities, the musicians, the music. All of them have made a great name for themselves creating some of the most memorable and cosmic psych jams you’ll ever here. Each night of the Australian tour includes a set by Seedy Jeezus followed by a second set where they’re joined by Mitchell. The supports for The Tote Hotel, Melbourne gigs were Thursday: A Basket Of Mammoths and The Black Heart Death Cult (included in the gallery below), Friday: My Left Boot and Motherslug, all four solid Melbourne bands.

Now, the issue here with writing this is that you can’t review your friends bands, too much bias involved, but what a pleasure it is every time I catch them live and especially as part of this tour, I just had to write something! Thursday and Friday at The Tote were incredible. Absolutely mind blowing. The punters that filled the room had their feet planted firmly, eyes wide open and mouths agape as Seedy Jeezus guitarist Lex Waterreus annihilated his fretboard with some of the smoothest solos ever. Not many bands can include guitar solos that go for as long as a Pink Floyd song, yet with Waterreus it’s different, he isn’t there to show off with as many notes per minute as possible, it all oozes out from his soul and is played with perfection; space where there needs to be and frantic when it’s called for. It all comes from the heart. Like the just as mind blowing rhythm section of Paul Crick (bass) and Mark Sibson (drums). Crick’s control of his theremin is second to none and his ability to lift a song with his flawless bass playing is incredible. Sibson’s drumming is the closest you’ll ever come to seeing Mitch Mitchell (Hendrix Experience) or Ginger Baker (Cream) live. Such a free and loose style yet one of the tightest and strongest around. Love watching him play, he can’t stay on his drum stool, jumping round and sometimes walks around to the front of the kit mid set. His solo on Friday night had the ghost of John Bonham with his hand on his heart and a tear in his eye.

Isaiah Mitchell is best known for his work with Earthless, instrumental psych rockers from California. Seeing Mitchell play live with Earthless is like watching an hour long solo where all the questions to the life and death of the universe are answered and then we’re transported into the afterlife where music is God. The ‘Under The Influence’ Tour “will give fans of Isaiah a chance to see him play songs that have influenced him as a musician since he first picked up a guitar at the age of 8. After performing their own set of blistering psych freakout, Seedy Jeezus will be Isaiah’s backing band as he works through songs from ‘60s, ‘70s and ‘80s.” Which means we also get to hear Mitchell sing this time round in Australia and he has such a soulful voice that resonates and connects. Also check out another band he plays in, Golden Void.

Over the next week there may be Instagram and Facebook post’s that include hints or tell you about the shows, reviews on various sites, and live clips, but we aren’t going to give anything away in terms of the setlist and what’s played, as part of the magic of this tour is to discover what these songs are as they’re played live. No one that attended was disappointed. There’s some songs you may know and some you may not which only open’s up a new avenue of music to explore. After the tour we’ll post the setlists and a live clip from the Friday Melbourne gig that was a truly memorable experience to have witnessed only feet away!

As I said, when reviewing friends bands, bias can creep in, but the music itself speaks volumes, as well as the crowds reactions each night. Glasses were raised, cheers were loud and people hovered around the band for hours after they left the stage, getting vinyl signed, to chat and find out more about what makes them tick. So proud to see the effect that Seedy Jeezus and Isaiah Mitchell have on people as it’s so well deserved.

They’ve also released a 12″ and CD collaboration together under The Tranquonauts. Make sure you pick this up at one of the shows, or check out Seedy Jeezus online for more details on how to grab a copy. Have a listen to some of it HERE! Tym Records (Brisbane) has also released a split 7″ featuring both bands, pick up a copy at one of the shows or online HERE.

Blown Music and Touring and Seedy Jeezus have done well to not only make this tour happen but also to have it such a success right from the first show. Well done! I’d also like to give a shout out to artist and muso Shannon Trottman (Bugdust) who did the art on the tour poster featuring Mitchell, love it.

For more info and ticketing, please check out Blown Music and Touring: Site // ‘Under The Influence’ Facebook event.

Seedy Jeezus: Site // Facebook // Instagram // Twitter // Bandcamp // Soundcloud // Youtube.
Isaiah Mitchell: Site // Facebook // Twitter.
Earthless: Facebook // Instagram // Twitter // Bandcamp.
Golden Void: Facebook // Instagram // Bandcamp // Bigcartel // Last.fm // Thrill Jockey.

CHERRY ROCK 2015! Red Fang, The Shrine, Beastwars, Fuck The Fitzroy Doom Scene, Child, Clowns, Horsehunter, HITS, My Left Boot, Los Hombres Del Diablo, Warped, The Ugly Kings, Dr Colossus. Cherry Bar, Melbourne. 10-05-2015.

Words Anthony Moore.
Photos Adam Russ – Right Eye Media Australia and Anthony Moore.

On the morning of festivals Melbourne often likes to act all dramatic. Early on Sunday it was cold, wet and overcast and looking like this years Cherry Rock was going to be a soggy mess. To be honest the only difference it made to my attire for the day was to throw a couple of sealable lunch bags into my pocket to save my phones life in the event of a flood. Nothing though was going to stop the punters this year with international headliners Red Fang (US), The Shrine (US) and Beastwars (NZ) as well as a strong local contingent featuring Warped, Child, Fuck The Fitzroy Doom Scene, Horsehunter, My Left Boot, Clowns, The Ugly Kings, Dr Colossus, and interstaters HITS (Brisbane) and Los Hombres Del Diablo (Sydney).

The rain had already subsided as punters started to roll up at midday. The dual-stage fest kicked off with Dr Colossus on the AC/DC Lane stage and sounded incredible. It was such a great mix for the two-piece whose style of rockin doom only includes lyrics about The Simpsons. Perfect. Singer / guitarist Dr. Jon’s vocals were up higher than I’ve previously heard in the mix and shot out and up the lane way giving their sound extra depth and strength. Best I’ve heard them.

Continue reading

TRUCKFIGHTERS, Warped, Fuck The Fitzroy Doom Scene, My Left Boot, The Sure Fire Midnights, Holy Serpent. Yah Yah’s, Melbourne. 24-01-2015.

Words Anthony Moore.
Photos Adam Russ – Right Eye Media Australia.

Truckfighters are back in Australia… enough said.

Holy Serpent opened up the massive line up and instantly capsized the room. The sun was still appropriately pouring in through the front windows of Yah Yah’s for the earlier than usual set of desert styled doom. The band have recently been signed to US Label Riding Easy Records, who are known for only releasing gold in the stoner / fuzz / doom soundscapes and Holy Serpent fit right in. It was an impressive set and especially considering it was their third ever show. Some extremely massive drumming and what seemed like one set long rumbling bass note that was just bent in and out of shape; an absolute stand out as well as some of those guitar solos. It seems that Holy Serpent have already perfected their repetitive sludgy riffs that are timed perfectly like a needle skipping on a record, flawless and smooth. Very much looking forward to seeing these guys again.

Continue reading