Local Melbourne riff lords Dr. Colossus have been bludgeoning crowds with their melodic fuzziness for a number of years now, the new album The Dank is full of hypnotic groove that will get the listener lost as soon as the needle hits the record.
The name Dr. Colossus is a reference to a Simpsons character and the album is filled throughout with others; from the track ‘Future Bart’ to the cover art (which has a picture of Moe’s Tavern), these references add so much fun to the songs that you can’t help but laugh. Continue reading →
During the ’90s Melbourne had a thriving all ages band scene, and the kings of that scene were The Meanies, they realised that punk rock was not just for adults but for everyone of all ages, everywhere they played there was total chaos, but not in the malicious sense, it was more unbridled energy kind of chaos.
Tonight’s gig was a celebration of 25 plus years of total madness and kinetic punk rock. Continue reading →
Stoner legend Brant Bjork has been a frequent visitor to our shores, so when his tour was announced, all the desert rats come out in droves. Before the show at The Corner, Bjork had already played Negative Waves in Geelong and Cherry Rock at Cherry Bar. Along for the ride he bought Holy Serpent, Don Fernando and Fuck the Fitzroy Doom Scene.
It’d been a long time between beers since I’ve seen FTFDS so I made sure I was front and centre. As soon the riff for ‘Better Off Dead’ kicked in I was pinned to the wall. The unique thing about this band is the three part harmonies, it gives the performance incredible strength. They finish off with the sludgiest version of ‘Facing The Ruin’, by the end of the set my heart was in my throat and my ears were blasted, did I care? Not in the slightest. Continue reading →
With a great first impression on my visit to last year’s Rites of Passage, I thought it’d be as good a time as ever to come back again to see what the acclaimed tattoo festival had to offer this time. On a colder April day than usual, it was great to finally return to the Royal Exhibition Building for the annual body art expedition.
With mostly locals at Rites of Passage such as Frankie Lee’s, EastBrunswickTattoos, MelburnMadeInk and BennyBones, there was a collective of international talent that showcased the abilities they had, such as VisualOrgasm from Singapore, SpacifikInk from New Zealand, ThreeTidesTattoo from Japan, TattooFamily from Malaysia, PaulMartinTattoo from Scotland and even a travelling artist named JoshuaSara from Melbourne. Each and every parlour came with their own unique style to display throughout the venue. From Japanese to European, to expensively detailed portraits, anything that came to the mind of a patron was there in that exact building. Continue reading →
Day two of the annual Rites Of Passage Tattoo Festival held at Melbourne’s Royal Exhibition Building welcomed punters of all ages through its large doors into a world filled of art and culture.
Lining the entrance were stalls of assorted goods, varying from alternative jewellery to barber knives, hot chilli sauces to the soft amplifications from Cranbourne Music’sFender and Gretsch guitars, along with various merchandise stands like Killer March and Crawling Death.
Following the sound of buzzing needles around the first line of stalls lead me to find the first tattoo booth along the wall, which was Paul Rapley’s stand. Rapley was hard at work on a rib piece, and the guy receiving it made the overly asked question of “does that hurt?” sound even more rhetorical. Continue reading →