With a great first impression on my visit to last year’s Rites of Passage, I thought it’d be as good a time as ever to come back again to see what the acclaimed tattoo festival had to offer this time. On a colder April day than usual, it was great to finally return to the Royal Exhibition Building for the annual body art expedition.
With mostly locals at Rites of Passage such as Frankie Lee’s, EastBrunswickTattoos, MelburnMadeInk and BennyBones, there was a collective of international talent that showcased the abilities they had, such as VisualOrgasm from Singapore, SpacifikInk from New Zealand, ThreeTidesTattoo from Japan, TattooFamily from Malaysia, PaulMartinTattoo from Scotland and even a travelling artist named JoshuaSara from Melbourne. Each and every parlour came with their own unique style to display throughout the venue. From Japanese to European, to expensively detailed portraits, anything that came to the mind of a patron was there in that exact building. Continue reading →
Day two of the annual Rites Of Passage Tattoo Festival held at Melbourne’s Royal Exhibition Building welcomed punters of all ages through its large doors into a world filled of art and culture.
Lining the entrance were stalls of assorted goods, varying from alternative jewellery to barber knives, hot chilli sauces to the soft amplifications from Cranbourne Music’sFender and Gretsch guitars, along with various merchandise stands like Killer March and Crawling Death.
Following the sound of buzzing needles around the first line of stalls lead me to find the first tattoo booth along the wall, which was Paul Rapley’s stand. Rapley was hard at work on a rib piece, and the guy receiving it made the overly asked question of “does that hurt?” sound even more rhetorical. Continue reading →
Comprising an ecstatic Melbournian line-up for the evening, Organ Donor kicked off the first of three massive nights in celebration of The Bendigo Hotel’s 7th Birthday Bash. The three-piece unleashed their defiant hardcore rhythms throughout the filling band room, setting the pace for the evening’s line up to follow.
Batpiss are next in line, who hit the stage with a loud presence; distorted vocals mix through their coarse layers of spiralling guitar licks and dooming drums. Bringing the boozy crowd to the front of the room are the deepening grooves of their set list that turns into rounds of applause as they slur The Bendi a happy birthday. The venue doesn’t look big enough for the amount of punters who have managed to find enough space to stand. This makes it hard to believe that it’s become big enough to provide the space for the swelling pit of jumping heads that’s on the rise, though they’re making it work as they jump wildly about throughout the Batpiss show. Continue reading →
The recent Isaiah Mitchell with Seedy Jeezus ‘Under The Influence’ Australian Tour was such a unique one that we thought we’d do a post including all the songs that they covered together, along with an incredible photo gallery from Melbourne’s Stephen Boxshall.
The idea behind the tour was to “give fans of Isaiah a chance to see him play songs that have influenced him as a musician since he first picked up a guitar at the age of 8. After performing their own set of blistering psych freakout, Seedy Jeezus will be Isaiah’s backing band as he works through songs from the ‘60s, ‘70s and ‘80s.”
It was an incredible experience to hear so many amazing songs performed by musicians that have been impacted by them. A lot of the songs people knew, and some were new and great introductions to various legendary bands well worth checking out. Below is the complete set list from each gig that they played on the tour.
Taking the stairs by two to run into a sea of bodies, the amplifiers pound like thunder inside the thick walls of 170 Russell as ‘Dead In A Ditch’ is among the opening songs for boozing punk legends, CosmicPsychos. The venue’s filling, and they wholeheartedly dedicate a song to our Australian Prime Minister; “This one’s for Malcolm Turnbull and it could be for Donald Fuckin’ Trump.” The heavy bass groove of ‘Better, Not Bitter’ takes over and a round of applause is received with a cheer of laughter. Their raw jams continue to be reciprocated, with their sounds well known in their home town. Rocking through their set, the three piece maintain their energy that is shared amongst the venue; ’She’s A Lost Cause’ has the crowd screaming along to the lyrics. Before too soon their set comes to a close and the cue for the bar more than doubles during the intermission. Continue reading →
We have plenty of Kings here in Melbourne. King Parrot, King of the North and of course, King Gizzard & The Lizard Wizard, who have been making the biggest of killings in Australia’s rock scene. With the release of their eighth full-length masterpiece Nonagon Infinity, the Gizz boys have embarked on a national tour in support of the new record with numerous sold out shows involved, as well as making an upcoming appearance at Splendour In The Grass.
Joining them in their Melbourne shows were three-piece Geelong locals Orb, who gave off quite a unique impression to the audience of how uncontrived they are, just like Gizzard. For what seemed like a long set felt so short at the same time, as Orb had a little more than what most would’ve bargained for. The trio supplied a hard, psychedelic stoner vibe that was quite reminiscent of the likes of what Kyuss would sound like if they slightly based themselves around the Woodstock era. And while Orb are a group entailing three members, their guitarist and bassist showed a little more of their talent by swapping each other’s instruments halfway through the set. Continue reading →