MEATHOOK Self-titled Debut EP Review.

Words Anthony Moore.

It’s always hard when someone you know asks you to review their band. It could be awesome… but what if it just isn’t your thing? or even worse, what if it’s shit?  So when Andy Simpson of the legendary Don Fernando sent me a message and asked if I could listen to his new project Meathook, I thought I would do the usual thing of sending it on to someone else, but then I clicked on play…

So all you Tool fans who have been waiting 612 years for a new release, ‘The Beginning’ kicks off with an intro that would slot perfectly into Undertow, with riffs straight from the Blues For The Red Sun mixing desk, and a solo that goes on for miles; the song steamrolls across the great expanse covering everything from hard edged stoner to doom and all in between. There are no lyrics, no words, just like this review, nothing could truly describe the sound of this track, except that ‘The Beginning’ is the perfect introduction to Meathook, which will string you up by your ears and make them bleed for more. Continue reading

GEEZER Self-titled Album Review.

Words El Jefe.

At first glance, Geezer made me think of Fu Manchu minus the pop sensibilities a lot of Fu stuff has. A few spins later, and I’m still vaguely reminded of Fu, but there’s a whole cauldron of other sounds bubbling away here as well. But more on that later.

Geezer come from Kingston NY, and formed around an obvious love of Sabbath and all other things imbued with stoner goodness. This trio has a cool take on riff-rock, and the debut LP has plenty of great moments.

They break the ice with ‘Sunday Speed Demon’ and ‘One Leg Up’, foot to the floor rock tunes with gravel rash vocals, a neat rhythm pummel and some savage guitar playing too. Continue reading

2016 TOP 10 RELEASES! Desert Highways staff + special guests from Orange Goblin, Monolord, Pagan / Little Lamb & The Rosemary’s!!

Words Anthony Moore.

There were some amazing releases that come out in 2016, and as with every year, I start out with the best of intentions keeping a list of my favourites as they hit, only to let it fall by the wayside by about March. Yeah I know, it doesn’t last long! So undoubtedly I will forgot lots of great releases from 2016. There’s been the talked about releases like Metallica’s Hardwired… To Self Destruct (which for me has been quite a disappointment, some moments of clarity and power but as whole, it wasn’t the driving force I was hoping for), then there’s been some that have come out of left field that have really thrown me for six and impressed me quite a lot, like Electric Magus Olympus Noms, which is Raul Sanchez (Magic Dirt, River Of Snakes, Midnight Woolf) latest offering through Wild Animals Records. Like with John Frusciante’s solo albums, some sound quite unique and very different to his work with Red Hot Chili Peppers (which is an awesome thing these days!) yet his style and soul still comes through in various ways. Electric Magus is like this for Sanchez compared to his ‘usual’ guitar driven work. It’s totally different yet still somehow connects with me for the same reasons.

I still listen to loads of releases from all around the world, but more and more as time goes on I find myself mainly listening to local bands. Possibly for a few reasons, I like to support local muso’s and friends, it’s possible to see them more live which in turn gets us more stoked on listening back to a band later, and maybe most importantly, there are just so many fuckin incredible bands in Melbourne and throughout Australia that there’s not enough time to sometimes reach out further. Continue reading