EL COLOSSO ‘Pathways’ Album Review.

Words Mark Ireland.

Immediacy is the first word that come to mind as soon as the track ‘Doom Boogie’ drops first on the El Colosso album, Pathways. Its relentless riffs never let go, vocalist Matt Cooper is an absolute powerhouse monster of a singer, reminiscent of all my favourite singers from the last 20 years; Layne Staley, Chris Cornell and a million other in between his pitch and range are out of this world, he holds the words in such taut tight control, that you become breathless in awe.

The single ‘Leatherhead’ is a perfect first release, its groove heavy rhythm will have you punching holes in the walls and screaming with ecstatic pleasure.

‘The Hunted’ just pulverises your ears until a river of blood is flowing.

The title track ‘Pathways’, has more ridiculously heavy riffling that entrances you so deep that not even a trained hypnotist could wake you up! Continue reading

SUNDAY SIXPACK: I am Duckeye, Fuck The Fitzroy Doom Scene, El Colosso, Shanghai, Lucid Planet. The Tote, Melbourne. 30-11-2014.

Words Emma Cooper.

On a sweltering Sunday at the tail end of November The Tote in Collingwood hosted one of its famous Sunday Six Packs. Opening the sessions were psych-rockers Lucid Planet, complete with incense sticks in the amps and lyrics bearing philosophical musings. It’s a hard gig to open in the sober daylight, but Lucid Planet suited the languid, muggy Melbourne afternoon, with psychedelic soundscapes and hypnotic, bass-driven rhythms burning easily into post-rock Tool-like bursts.

Following Lucid Planet, Sydney-based Shanghai brought some sexy swagger to the stage. Shanghai is an experimental outfit featuring variously keys, bass, percussion, guitar, theremin, flute, saxophone, and trumpet. Full of surprises, this band weave through genres faster than you can call them; snapshots of metal, punk, pop, glam rock and free jazz flash before our ears, faintly doused with a campness reminiscent of The Rocky Horror Picture Show. They add neat musical references throughout, from the snatched bars of jazz standard Round Midnight to a swift, rocking unexpected cover of Daft Punk’s Get Lucky, but the works are distinctly their own. Even the unanticipated tuning of a new guitar for lead guitarist / singer / theremin player Luis Rojas was turned into an interesting musical segue and held the attention of the delighted room.

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Motherslug, The Dirty Earth, Introvert, El Colosso. The Reverence, Melbourne. 23-08-2014.

Photos Sally Townsend


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