So here comes a new release from House Of Broken Promises. Those who know would know. Guitarist / vocalist Arthur Seay and drummer Mike Cancino have done time with Unida, one of John Garcia’s post Kyuss projects. Their debut LP, Using The Useless was a stoner beast. Raw, wild and unstoppable. Just the way I like it! They have been joined in recent years by Joe Mora on bass / vocals (replacing Eddie Placencia), and they have just rolled the Twisted EP off the production line. Four new tracks (two covers) plus some bonus tracks. I think I heard rumours of a new full-length in the pipeline too. But that’s a different story!
‘Twisted’ is the first of the new material, a classic HOBP tune, kicked off with a carnivale-esque drum roll before the vibe-y bass assault and Seay’s blasting stoner-metal guitar leap into the fray. Great bass tone on this too. For all you bassists out there! Catchy chorus too. Continue reading →
Doom. The name says it all. From the opening riff to Black Sabbath, to the heavier than heavy tones of bands like Electric Wizard and Monolord, it’s a genre defined by dark sounds, and heavy lyrical themes. The breadth of styles within the genre is also as extreme as the sounds. The vocals can range from upper register screams to gravelrash intestine shredding and the music from the dirtiest sludge to plain old heavy rock’n’roll shot through with blues licks. But I love it all, start to finish!
Enter Devil Electric! They’re a four-piece from Melbourne and have just punched heavy music fans everywhere right between the eyes with their self-titled debut. The sound is classic doom, but they’ve also managed to twist an age-old formula to their own perverted uses, and in turn created a distinctly unique collection of songs. Continue reading →
Tonight was a night to melt your face, a warmth in this cold night, where thou shalt rock out with a blend of genre bending and aggressive rawk!! From the punkrock, ska and hallucinogenic rock, TheDwarves at the Imperial tonight commandeered them all!
Legal Aliens kicked the night off in fine fashion to a decent crowd filling slowly as they played. Their singer Mal wasn’t afraid of the crowd, in amongst it from the start. Think X-Ray Spex if they were more street punk. They sang life relevant lyrics to rock to. Like a well-oiled machine, this band hustled and entertained from the outset. Their songs included ‘Meta Cognition’, ‘Mummy Rescue Me’, ‘Playin’ With Monsters’, and a Beastie Boys cover ‘Deal With It’. Continue reading →
When I was asked to review four-piece Melbourne dirt rockers Mammoth Mammoth’s new offering, Mount The Mountain, I was pretty chuffed. Having shared the stage on quite a number of occasions (and a few beverages) with these maniacs, I consider them good mates. Then I thought, “Aw man, what if it sux”? Luckily, this was not the case.
When I first heard the band a few years back, I wasn’t sure what to expect. What I got was a hybrid of Motorhead, Cosmic Psychos and Rose Tattoo. They’d been described to me as a stoner band in the past and although I hear elements of that (Black Sabbath), it’s definitely not my go to thought when I hear Mikey (vox), Cuz (guitar), Pete (bass) and Bones (drums) doin’ their thang. It’s a riff fest sure. Rifferama if you will. Mount The Mountain being no different. Continue reading →
At first glance, Geezer made me think of Fu Manchu minus the pop sensibilities a lot of Fu stuff has. A few spins later, and I’m still vaguely reminded of Fu, but there’s a whole cauldron of other sounds bubbling away here as well. But more on that later.
Geezer come from Kingston NY, and formed around an obvious love of Sabbath and all other things imbued with stoner goodness. This trio has a cool take on riff-rock, and the debut LP has plenty of great moments.
They break the ice with ‘Sunday Speed Demon’ and ‘One Leg Up’, foot to the floor rock tunes with gravel rash vocals, a neat rhythm pummel and some savage guitar playing too. Continue reading →
Lumbering, fuzzed-out doom with road-rash vocals is something I love. The riff! All those bastard spawn of Sabbath. And I know in my bones that the power-trio Borracho have the same unwavering love for it that I have. Launching from Washington DC, (right next door to Maryland, and we know the level of STONER/DOOM that Maryland has delivered!) Borracho can really deliver on all fronts when it’s time to bring the heavy too. Atacama is the third full length LP they’ve unleashed, and fine evidence that the party ain’t nearly over yet.
‘Descent’ lurches into the blackest of Sabbath’s with a guitar tone that could rattle ya teeth outta ya head, but it’s also a surprisingly tender instrumental. Bells, some lysergic emanations throbbing in the background and easily serves to set the scene for the rest of the album. Continue reading →
There were some amazing releases that come out in 2016, and as with every year, I start out with the best of intentions keeping a list of my favourites as they hit, only to let it fall by the wayside by about March. Yeah I know, it doesn’t last long! So undoubtedly I will forgot lots of great releases from 2016. There’s been the talked about releases like Metallica’sHardwired… To Self Destruct (which for me has been quite a disappointment, some moments of clarity and power but as whole, it wasn’t the driving force I was hoping for), then there’s been some that have come out of left field that have really thrown me for six and impressed me quite a lot, like Electric MagusOlympus Noms, which is Raul Sanchez (Magic Dirt, River Of Snakes, Midnight Woolf) latest offering through Wild Animals Records. Like with John Frusciante’s solo albums, some sound quite unique and very different to his work with Red Hot Chili Peppers (which is an awesome thing these days!) yet his style and soul still comes through in various ways. Electric Magus is like this for Sanchez compared to his ‘usual’ guitar driven work. It’s totally different yet still somehow connects with me for the same reasons.
I still listen to loads of releases from all around the world, but more and more as time goes on I find myself mainly listening to local bands. Possibly for a few reasons, I like to support local muso’s and friends, it’s possible to see them more live which in turn gets us more stoked on listening back to a band later, and maybe most importantly, there are just so many fuckin incredible bands in Melbourne and throughout Australia that there’s not enough time to sometimes reach out further. Continue reading →
Sun God Replica are back with their third release Grandular Fever. Considering ‘grandular’ is not actually a word, I was a little perplexed as to the meaning and concept of this album title. Perhaps it’s a play on the virus Glandular Fever? Is it about a fever or virus of grand proportions? The album cover is also not giving away any clues to the title meaning. The image on the cover is a throwback to 1970s psychedelic aesthetics and fashion, dialled up to 11 out of ten, giving the impression Sun God Replica may have raided the costume department of their local theatre company. This however is a pretty good indication of the sounds that are featured on Grandular Fever; fuzzy psychedelic rock and fun vibes that doesn’t take itself too seriously.
Opening track ‘Blow Your Mind’ kicks off the album with a ’70s psychedelic inspired number with catchy pop melodies. Upbeat, relaxed and fun is the general vibe with this song, with simple vocals, standard rock drum beats and a guitar solo, this accurately sets up the retro sounding direction of the rest of the album. The lyrics tick the box for abstract, psychedelia references, as shown by the song’s opening lyrics; “I’m a trap door spiderman, I’m holding flowers…” before launching into a chorus with the repeating lyrics of; “Want to blow your mind.” There are also references to going back in time and drugs for good measure.
They’re called The Watchers. Sabbath Highway is their debut EP. Not too hard to guess what they may sound like with a title like that. Or perhaps it’s just a hint at some influences. Never the less, this EP is an absolute fucking little beast! Hard, dirty biker rock, with some sublime playing and riffmongering. Awesome vocals too, and as is usually the case, can lift a great band (or even a mediocre band) to levels way higher than they could ever hope to achieve with a less than amazing singer.
‘Sabbath Highway’ is a rock solid blast of purebred rock and roll. Straight outta the gate, this fucker just won’t lie down and die. From the opening cockrock guitar blast through to the powerhouse rhythm section, this song has the lot for any discerning rock’n’roll fan. Continue reading →
So it’s no secret that Kyuss have had a massive influence over the heavy / stoner / desert rock (whatever you want to call it; stoner works for me) scene since their inception in the late ‘80s. Tuning down to C, (although Homme claims he wasn’t familiar with Sabbath. Yeah, I’m skeptical too), and playing laidback heavy grooves. Garcia’s vocals were a huge part of the sound and influence, but it was Brant Bjork’s influence on Garcia that led to this vocal style; during Garcia’s audition suggested he try to sing slower and sang him an example. Bjork also hand a large hand in the songwriting. The rest is (musical) history.
‘The Gree Heen’ opens the ledger on Tao Of The Devil, and kicks off with a slick melodic droney run. Some jazzy drums are a cool touch too. Continue reading →