UFOMAMMUT, MONOLORD, Comacozer. The Bald Faced Stag, Sydney. 07-10-2016.

Words El Jefe.
Photos Rod Hunt.

Friday night in Sydney and the early signs that summer had begun to rear its hot little head had just appeared on the horizon. Warmish, a bit humid, no need for a jacket any more. I took a slow walk to the bus stop, drank a beer on the way and headed to the ‘Hag.

I arrived, grabbed a beer and hit the band room to check out Comacozer. Some hot’n’heavy, bludgeoning riffs were being marched out by the instrumental trio. Screaming guitar licks and a bass player who was doing a great trade in fuzz bass. Some seriously bone-jarring tones were being wrenched from his bass. Their psyche-doom was pretty neat, but ultimately, I think having a vocalist could have helped their cause. Continue reading

L7, Cosmic Psychos. 170 Russell, Melbourne. 12-10-2016.

Words Mikaelie A. Evans.
Photos Suzanne Phoenix – Photos Punctuate My Life.

L7Taking the stairs by two to run into a sea of bodies, the amplifiers pound like thunder inside the thick walls of 170 Russell as ‘Dead In A Ditch’ is among the opening songs for boozing punk legends, Cosmic Psychos. The venue’s filling, and they wholeheartedly dedicate a song to our Australian Prime Minister; “This one’s for Malcolm Turnbull and it could be for Donald Fuckin’ Trump.” The heavy bass groove of ‘Better, Not Bitter’ takes over and a round of applause is received with a cheer of laughter. Their raw jams continue to be reciprocated, with their sounds well known in their home town. Rocking through their set, the three piece maintain their energy that is shared amongst the venue; ’She’s A Lost Cause’ has the crowd screaming along to the lyrics. Before too soon their set comes to a close and the cue for the bar more than doubles during the intermission. Continue reading

FRNK IERO AND THE PATIENCE, Walter Schreifels. Astor Theatre, Perth. 07-10-2016.

Words Jamie Munslow-Davies.
Photos Kim Anderson – Shoot The Wicked Witch.

I never had a full blown emo or punk phase while I was in high school, and that fact is made extremely clear as I walk my green tartan culottes and ‘tres chic’ beret into a sardine can known as The Astor Lounge, packed with black band shirts, pleather chokers, candy coloured hair and slick side fringes. It evoked a sense of nostalgia for a teenagedom I never had. I was informed by two excited young women outside the venue that I am in for a night of “underground grungey screaming” from tonight’s main act. I am excited.

The support act is Walter Schreifels from New York. He is flying solo tonight – just him and his guitar. A surprising choice of support for such an energetic main act, but Schreifels warmed the predominantly teenage crowd up with some chilled out, listenable little tunes. Highlights included the alternative-swing number ‘Adderall Highway’ and ‘Away From The Speed’. In listening to Schreifels, I only wished that he had a band with him to punch up his songs a little more, as the solo-man-with-guitar set up made potential grungey tunes seem a tad too dad-rock for my liking. However, after a mix of light banter and humorous yet vague stories, he finished his set with really quite a beautiful song called ‘Open Letter to The Scene’ – lamenting a passed musician from the Lower East Side who had a very ‘don’t sell out’ kind of view that people didn’t like sometimes. A fitting finish to an engaged and interactive crowd. Once the very cheery Walter Schreifels left the stage, the young crowd began to pack even more toward the stage, as their much-less-side-fringed parents began to join me in the tiered seating up the back. Continue reading

SEEDY JEEZUS + ISAIAH MITCHELL (US), A Basket Of Mammoths, The Black Heart Death Cult, My Left Boot, Motherslug. The Tote Hotel, Melbourne. 22+23-09-2016.

Words Anthony Moore.
Photos Adam Russ – Right Eye Media Australia.

Even on paper Isaiah Mitchell (San Diego, US) with Seedy Jeezus (Melbourne, Australia) reads like a match made in heaven; the personalities, the musicians, the music. All of them have made a great name for themselves creating some of the most memorable and cosmic psych jams you’ll ever here. Each night of the Australian tour includes a set by Seedy Jeezus followed by a second set where they’re joined by Mitchell. The supports for The Tote Hotel, Melbourne gigs were Thursday: A Basket Of Mammoths and The Black Heart Death Cult (included in the gallery below), Friday: My Left Boot and Motherslug, all four solid Melbourne bands.

Now, the issue here with writing this is that you can’t review your friends bands, too much bias involved, but what a pleasure it is every time I catch them live and especially as part of this tour, I just had to write something! Thursday and Friday at The Tote were incredible. Absolutely mind blowing. The punters that filled the room had their feet planted firmly, eyes wide open and mouths agape as Seedy Jeezus guitarist Lex Waterreus annihilated his fretboard with some of the smoothest solos ever. Not many bands can include guitar solos that go for as long as a Pink Floyd song, yet with Waterreus it’s different, he isn’t there to show off with as many notes per minute as possible, it all oozes out from his soul and is played with perfection; space where there needs to be and frantic when it’s called for. It all comes from the heart. Like the just as mind blowing rhythm section of Paul Crick (bass) and Mark Sibson (drums). Crick’s control of his theremin is second to none and his ability to lift a song with his flawless bass playing is incredible. Sibson’s drumming is the closest you’ll ever come to seeing Mitch Mitchell (Hendrix Experience) or Ginger Baker (Cream) live. Such a free and loose style yet one of the tightest and strongest around. Love watching him play, he can’t stay on his drum stool, jumping round and sometimes walks around to the front of the kit mid set. His solo on Friday night had the ghost of John Bonham with his hand on his heart and a tear in his eye.

Isaiah Mitchell is best known for his work with Earthless, instrumental psych rockers from California. Seeing Mitchell play live with Earthless is like watching an hour long solo where all the questions to the life and death of the universe are answered and then we’re transported into the afterlife where music is God. The ‘Under The Influence’ Tour “will give fans of Isaiah a chance to see him play songs that have influenced him as a musician since he first picked up a guitar at the age of 8. After performing their own set of blistering psych freakout, Seedy Jeezus will be Isaiah’s backing band as he works through songs from ‘60s, ‘70s and ‘80s.” Which means we also get to hear Mitchell sing this time round in Australia and he has such a soulful voice that resonates and connects. Also check out another band he plays in, Golden Void.

Over the next week there may be Instagram and Facebook post’s that include hints or tell you about the shows, reviews on various sites, and live clips, but we aren’t going to give anything away in terms of the setlist and what’s played, as part of the magic of this tour is to discover what these songs are as they’re played live. No one that attended was disappointed. There’s some songs you may know and some you may not which only open’s up a new avenue of music to explore. After the tour we’ll post the setlists and a live clip from the Friday Melbourne gig that was a truly memorable experience to have witnessed only feet away!

As I said, when reviewing friends bands, bias can creep in, but the music itself speaks volumes, as well as the crowds reactions each night. Glasses were raised, cheers were loud and people hovered around the band for hours after they left the stage, getting vinyl signed, to chat and find out more about what makes them tick. So proud to see the effect that Seedy Jeezus and Isaiah Mitchell have on people as it’s so well deserved.

They’ve also released a 12″ and CD collaboration together under The Tranquonauts. Make sure you pick this up at one of the shows, or check out Seedy Jeezus online for more details on how to grab a copy. Have a listen to some of it HERE! Tym Records (Brisbane) has also released a split 7″ featuring both bands, pick up a copy at one of the shows or online HERE.

Blown Music and Touring and Seedy Jeezus have done well to not only make this tour happen but also to have it such a success right from the first show. Well done! I’d also like to give a shout out to artist and muso Shannon Trottman (Bugdust) who did the art on the tour poster featuring Mitchell, love it.

For more info and ticketing, please check out Blown Music and Touring: Site // ‘Under The Influence’ Facebook event.

Seedy Jeezus: Site // Facebook // Instagram // Twitter // Bandcamp // Soundcloud // Youtube.
Isaiah Mitchell: Site // Facebook // Twitter.
Earthless: Facebook // Instagram // Twitter // Bandcamp.
Golden Void: Facebook // Instagram // Bandcamp // Bigcartel // Last.fm // Thrill Jockey.

Australian International Tattoo Expo. Perth Convention and Exhibition Centre. 17-09-2016.

Photos Kim Anderson – Shoot The Wicked Witch.


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WEEDEATER, CONAN, Merchant, Weedy Gonzalez. Max Watt’s, Melbourne. 16-07-2016.

Words Anthony Moore.
Photos Matt Allan Photos.

© 2016 Matt Allan Photos.Two points were brought up pre gig. The first I think I read on the Facebook event page, that punters that were going to the gig needed to wear earplugs for Conan or we wouldn’t be able to hear Weedeater after them, purely from going deaf due to Conan’s ridiculously loud set. The second from someone as I walked down the stairs into Max Watt’s, and this was going off the feedback from how the other gigs on the tour had already gone, that this could very well be the gig of the year! Calling it before the first band had even started! Continue reading

KING GIZZARD & THE LIZARD WIZARD, Orb. The Croxton, Melbourne. 10-07-2016.

Words Callum Doig.
Photos Sally Townsend Photography.

© 2016 Sally Townsend Photography.We have plenty of Kings here in Melbourne. King Parrot, King of the North and of course, King Gizzard & The Lizard Wizard, who have been making the biggest of killings in Australia’s rock scene. With the release of their eighth full-length masterpiece Nonagon Infinity, the Gizz boys have embarked on a national tour in support of the new record with numerous sold out shows involved, as well as making an upcoming appearance at Splendour In The Grass.

Joining them in their Melbourne shows were three-piece Geelong locals Orb, who gave off quite a unique impression to the audience of how uncontrived they are, just like Gizzard. For what seemed like a long set felt so short at the same time, as Orb had a little more than what most would’ve bargained for. The trio supplied a hard, psychedelic stoner vibe that was quite reminiscent of the likes of what Kyuss would sound like if they slightly based themselves around the Woodstock era. And while Orb are a group entailing three members, their guitarist and bassist showed a little more of their talent by swapping each other’s instruments halfway through the set. Continue reading

HORSEHUNTER, HOBO MAGIC, Fried Goods, Derailment. The Old Bar, Melbourne. 08-07-2016.

Photos Sally Townsend Photography.


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ROCK DOGS PIE NIGHT! Featuring Ashley Naylor & The Rock Dog All-Stars (Dave Larkin, Anna Liendhop, Koral Chandler, Danny Walsh, Lucy Dwyer, Tim Woods & more) + Sherrin & The Needles. Cherry Bar, Melbourne. 24-06-2016.

Photos Suzanne Phoenix – Photos Punctuate My Life.


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CHERIE CURRIE, The Babes, Babes Are Wolves. The Gov, Adelaide. 31-05-2016.

Words Will Oakeshott.
Photos Kylie Horwood.

It would only seem suiting that the best way to introduce this review properly would be through the power of sharing a quotation from a prestigious personality whose relevance and prominence is criminally understated. Once known as the most famous actress in the world, Sarah Bernhardt once said: “Legend remains victorious in spite of history”; considering the status of the prominent woman headliner, this aforementioned quote could have been the title of her show.

Locals Babes Are Wolves had the prestigious honour of opening the event and were livid about the opportunity but their stage presence didn’t really reflect their enthusiasm. Their polite rock sat well with the small crowd, but emphasis has to be put on the idea of polite. Unfortunately the pot wasn’t stirred by this rather perfect execution of sound the quartet were able to display; truth be told The Gov is just a bit too much of a grand venue for the four-piece. A more intimate setting is the band’s forte, then again the audience and outfit had nothing but smiles on completion, but then again who could hate a recipe of The Cardigans meets a slight AC/DC influence? Continue reading