MENTAL TREMORS Self-Titled Album Review.

Words Mark Ireland.

Brand new to the Melbourne music scene, Mental Tremors hit the ground running. They released their self-titled debut and within a couple of weeks they were signed to European DIY label Cursed Tongue. It’s easy to hear why they were signed to a label so quickly, as soon as the cat scratch riff of ‘Like A Broken Town’ kicks in, the listener is body slammed against the floor and spends the next five and half minutes trying to compose themselves and left wondering what the hell just happened.

‘Bastard Son’ slows the tempo down slightly; the drums penetrate deep and hard with an ongoing hypnotic groove.

Considering the band is only a duo it’s hard to fathom the racket they make, a wall of sound is built high above the listener and smashed down around their ears with an almighty force. Continue reading

MEATHOOK Self-titled Debut EP Review.

Words Anthony Moore.

It’s always hard when someone you know asks you to review their band. It could be awesome… but what if it just isn’t your thing? or even worse, what if it’s shit?  So when Andy Simpson of the legendary Don Fernando sent me a message and asked if I could listen to his new project Meathook, I thought I would do the usual thing of sending it on to someone else, but then I clicked on play…

So all you Tool fans who have been waiting 612 years for a new release, ‘The Beginning’ kicks off with an intro that would slot perfectly into Undertow, with riffs straight from the Blues For The Red Sun mixing desk, and a solo that goes on for miles; the song steamrolls across the great expanse covering everything from hard edged stoner to doom and all in between. There are no lyrics, no words, just like this review, nothing could truly describe the sound of this track, except that ‘The Beginning’ is the perfect introduction to Meathook, which will string you up by your ears and make them bleed for more. Continue reading

DEVIL ELECTRIC Self-Titled Album Review.

Words El Jefe.

Doom. The name says it all. From the opening riff to Black Sabbath, to the heavier than heavy tones of bands like Electric Wizard and Monolord, it’s a genre defined by dark sounds, and heavy lyrical themes. The breadth of styles within the genre is also as extreme as the sounds. The vocals can range from upper register screams to gravelrash intestine shredding and the music from the dirtiest sludge to plain old heavy rock’n’roll shot through with blues licks. But I love it all, start to finish!

Enter Devil Electric! They’re a four-piece from Melbourne and have just punched heavy music fans everywhere right between the eyes with their self-titled debut. The sound is classic doom, but they’ve also managed to twist an age-old formula to their own perverted uses, and in turn created a distinctly unique collection of songs. Continue reading

DR. COLOSSUS ‘The Dank’ Album Review.

Words Mark Ireland.

Local Melbourne riff lords Dr. Colossus have been bludgeoning crowds with their melodic fuzziness for a number of years now, the new album The Dank is full of hypnotic groove that will get the listener lost as soon as the needle hits the record.

The name Dr. Colossus is a reference to a Simpsons character and the album is filled throughout with others; from the track ‘Future Bart’ to the cover art (which has a picture of Moe’s Tavern), these references add so much fun to the songs that you can’t help but laugh. Continue reading

WEB CITY LIMITS ‘Traitor’ / ‘Dope’ Single Review.

Words Mark Ireland.

The first thirty seconds of Sydney band Web City Limits new single, ‘Traitor’, displays everything I love about metal; riffs that belt you in the head smashed out by a chorus that punches you in the gut, and a lead vocalist that pierces your eardrums. Mandy Newton is a name to keep your eyes on. If this single is anything to go by, big things are to come from Web City Limits.

The second track ‘Dope’, pounds the listener into submission, the rock hard riffs are brutal yet melodic. Web City Limits are fairly new to the scene, the main thing I love about this track is that it makes the listener stand up and pay attention. I listen to a lot of metal, and I get lost on how a lot of it is same old, same old, so it’s refreshing to hear something that heavily wears its influences but brings something new to the scene. Continue reading

Why DEAD is the most underrated band on the planet + ‘We Won’t Let You Sleep’ Album Review.

Words Anthony Moore.

The first time I heard DEAD I was blown away. In terms of sheer brute force, weight and the volume of their sound, it’s huge! Melvins x 10 plugged into Slayer’s wall of Marshall stacks, you know, if they were real. They also continue to blow me away in a lot more ways as time goes on. It’s been 6 years this month since I first heard them, which was seeing them live supporting the Hard-Ons at The Tote, and since then, I’ve gotten to know the guys and have a deeper understanding of their music and where it comes from. It’s completely pure, unintentionally awesome, inspired, uncompromising, relentless, driving, and unashamedly their own beast. I could keep going. They continue to make solid kick arse music that’s completely honest to who they are and what they believe in. Continue reading

MAMMOTH MAMMOTH ‘Mount The Mountain’ Album Review.

Words Adam Cooper.

When I was asked to review four-piece Melbourne dirt rockers Mammoth Mammoth’s new offering, Mount The Mountain, I was pretty chuffed. Having shared the stage on quite a number of occasions (and a few beverages) with these maniacs, I consider them good mates. Then I thought, “Aw man, what if it sux”? Luckily, this was not the case.

When I first heard the band a few years back, I wasn’t sure what to expect. What I got was a hybrid of Motorhead, Cosmic Psychos and Rose Tattoo. They’d been described to me as a stoner band in the past and although I hear elements of that (Black Sabbath), it’s definitely not my go to thought when I hear Mikey (vox), Cuz (guitar), Pete (bass) and Bones (drums) doin’ their thang. It’s a riff fest sure. Rifferama if you will. Mount The Mountain being no different.  Continue reading

GEEZER Self-titled Album Review.

Words El Jefe.

At first glance, Geezer made me think of Fu Manchu minus the pop sensibilities a lot of Fu stuff has. A few spins later, and I’m still vaguely reminded of Fu, but there’s a whole cauldron of other sounds bubbling away here as well. But more on that later.

Geezer come from Kingston NY, and formed around an obvious love of Sabbath and all other things imbued with stoner goodness. This trio has a cool take on riff-rock, and the debut LP has plenty of great moments.

They break the ice with ‘Sunday Speed Demon’ and ‘One Leg Up’, foot to the floor rock tunes with gravel rash vocals, a neat rhythm pummel and some savage guitar playing too. Continue reading

BORRACHO ‘Atacama’ Album Review.

Words El Jefe.

Lumbering, fuzzed-out doom with road-rash vocals is something I love. The riff! All those bastard spawn of Sabbath. And I know in my bones that the power-trio Borracho have the same unwavering love for it that I have. Launching from Washington DC, (right next door to Maryland, and we know the level of STONER/DOOM that Maryland has delivered!) Borracho can really deliver on all fronts when it’s time to bring the heavy too. Atacama is the third full length LP they’ve unleashed, and fine evidence that the party ain’t nearly over yet.

‘Descent’ lurches into the blackest of Sabbath’s with a guitar tone that could rattle ya teeth outta ya head, but it’s also a surprisingly tender instrumental. Bells, some lysergic emanations throbbing in the background and easily serves to set the scene for the rest of the album. Continue reading

BLACK RHENO – Let’s Start A Cult EP.

Words Adam Cooper.

Hard working Sydney 3 piece and groove metal exponents, Black Rheno caught my attention of late, by literally being everywhere! They seem to be like Salt and Pepper at the moment, (in everything). So when the opportunity came to review the lads new offering, their Let’s Start A Cult EP, I jumped at the chance.

Firstly the title of this EP is pure gold and warmed the cockles of my heart before the first riff was ruffed. Speaking of riffs… this little number is riddled with ‘em. The sometimes groovy, sometimes thrashy, sometimes punky guitar stylings of Nano, led me to believe that these guys could share the bill with anyone from Clowns to High Tension and back again. My mind even wandered to the late ’80s, early ’90s, a time before time, when the groove of Pantera, Mordred and Prong were frequenting my Corolla’s tape deck. Smashin’ it old school. Continue reading