At first glance, Geezer made me think of Fu Manchu minus the pop sensibilities a lot of Fu stuff has. A few spins later, and I’m still vaguely reminded of Fu, but there’s a whole cauldron of other sounds bubbling away here as well. But more on that later.
Geezer come from Kingston NY, and formed around an obvious love of Sabbath and all other things imbued with stoner goodness. This trio has a cool take on riff-rock, and the debut LP has plenty of great moments.
They break the ice with ‘Sunday Speed Demon’ and ‘One Leg Up’, foot to the floor rock tunes with gravel rash vocals, a neat rhythm pummel and some savage guitar playing too. Continue reading →
Lumbering, fuzzed-out doom with road-rash vocals is something I love. The riff! All those bastard spawn of Sabbath. And I know in my bones that the power-trio Borracho have the same unwavering love for it that I have. Launching from Washington DC, (right next door to Maryland, and we know the level of STONER/DOOM that Maryland has delivered!) Borracho can really deliver on all fronts when it’s time to bring the heavy too. Atacama is the third full length LP they’ve unleashed, and fine evidence that the party ain’t nearly over yet.
‘Descent’ lurches into the blackest of Sabbath’s with a guitar tone that could rattle ya teeth outta ya head, but it’s also a surprisingly tender instrumental. Bells, some lysergic emanations throbbing in the background and easily serves to set the scene for the rest of the album. Continue reading →
Hard working Sydney 3 piece and groove metal exponents, Black Rheno caught my attention of late, by literally being everywhere! They seem to be like Salt and Pepper at the moment, (in everything). So when the opportunity came to review the lads new offering, their Let’s Start A Cult EP, I jumped at the chance.
Firstly the title of this EP is pure gold and warmed the cockles of my heart before the first riff was ruffed. Speaking of riffs… this little number is riddled with ‘em. The sometimes groovy, sometimes thrashy, sometimes punky guitar stylings of Nano, led me to believe that these guys could share the bill with anyone from Clowns to High Tension and back again. My mind even wandered to the late ’80s, early ’90s, a time before time, when the groove of Pantera, Mordred and Prong were frequenting my Corolla’s tape deck. Smashin’ it old school. Continue reading →
The album Solas byThe Answer is the pinnacle of a tumultuous time for the band. They’d just finished a huge tour of the US and the lead singer Cormac Neeson was in a creative slump, he’d been pushed to the limit, so much so he didn’t think he was able to produce another album.
As well as the creative problems, his wife had just given birth to a boy who had been born prematurely, so this album is a deeply personal journey not only for the band but the audience as well.
The opening track and title song ‘Solas’ has an incredible build, you can imagine the band playing on top of a mountain with no one else around, the swirling echo’s of guitar entwine the listener into a serpentine state. Then it drops like a parachute jumper with no chute pure velocity, it is a fantastic opening track. Continue reading →
Renowned Australian musician, Raul Sanchez, has created an enticing reputation throughout his career that has been lingering in the public eye since the ‘90s. From his early days of playing in various garage rock bands that included The Bugbears, Muffcake and the much loved Magic Dirt, the Melbourne based guitarist has also shared vocal, guitar and songwriting roles in most of the bands he has played with. Currently playing with the likes of Tex Perkins’ supergroup, The Ape, Sanchez is also a part of the line ups that make River of Snakes and Midnight Woolf. With these influential bands having distinctively various sounds, one could begin to wonder what his solo album might sound like… And in 2015 Sanchez produced those sounds on his own instrumental album to answer the thoughts of those wondering punters. Released via Wild Animals Records and titled Masks, Sanchez’s first solo output came together over several years. Comprised primarily with guitars, there were also drums weaved through the variety of other instruments and “whatever was lying around the house that would make a sound”. Continue reading →
Sun God Replica are back with their third release Grandular Fever. Considering ‘grandular’ is not actually a word, I was a little perplexed as to the meaning and concept of this album title. Perhaps it’s a play on the virus Glandular Fever? Is it about a fever or virus of grand proportions? The album cover is also not giving away any clues to the title meaning. The image on the cover is a throwback to 1970s psychedelic aesthetics and fashion, dialled up to 11 out of ten, giving the impression Sun God Replica may have raided the costume department of their local theatre company. This however is a pretty good indication of the sounds that are featured on Grandular Fever; fuzzy psychedelic rock and fun vibes that doesn’t take itself too seriously.
Opening track ‘Blow Your Mind’ kicks off the album with a ’70s psychedelic inspired number with catchy pop melodies. Upbeat, relaxed and fun is the general vibe with this song, with simple vocals, standard rock drum beats and a guitar solo, this accurately sets up the retro sounding direction of the rest of the album. The lyrics tick the box for abstract, psychedelia references, as shown by the song’s opening lyrics; “I’m a trap door spiderman, I’m holding flowers…” before launching into a chorus with the repeating lyrics of; “Want to blow your mind.” There are also references to going back in time and drugs for good measure.
To say Harry Howard has been a part of the Australian music scene for quite some time now would be an understatement. A founding member of the post-punk band Crime & the City Solution, they released four albums before disbanding in 1991. Howard was also a member of These Immortal Souls, and has played with The Birthday Party. Harry Howard and the NDE is his current act, having released their first album Near Death Experience in 2012, and Pretty in 2014, their latest is Sleepless Girls – a combination of dark pop melodies and garage rock, while still retaining a strong sense of Howard’s 1980s post-punk roots.
‘The Only One’ is a solid opening track, complete with catchy pop hooks and simple rock riffs. The prominent pipe organ keyboards that feature throughout the track add a dark 1980s goth vibe, contrasting with the overall upbeat feel of the song. It is actually quite a fun and energetic song, that still retains a sense of moodiness, and I can almost imagine it being played in some alternative underground nightclub in London in the eighties. Continue reading →
They’re called The Watchers. Sabbath Highway is their debut EP. Not too hard to guess what they may sound like with a title like that. Or perhaps it’s just a hint at some influences. Never the less, this EP is an absolute fucking little beast! Hard, dirty biker rock, with some sublime playing and riffmongering. Awesome vocals too, and as is usually the case, can lift a great band (or even a mediocre band) to levels way higher than they could ever hope to achieve with a less than amazing singer.
‘Sabbath Highway’ is a rock solid blast of purebred rock and roll. Straight outta the gate, this fucker just won’t lie down and die. From the opening cockrock guitar blast through to the powerhouse rhythm section, this song has the lot for any discerning rock’n’roll fan. Continue reading →
Red Fang. I hadn’t heard of them, but caught most of their set on a couple of years back when they shared a bill with Kyuss Lives and Orange Goblin. Pretty rockin’ I thought. Raunchy, distorted, abrasive. Loud and nasty. My kinda filth, and an excellent warm-up for both OG and Kyuss too.
Ten or eleven years into their existence, this Portland quartet are not taking the foot off the pedal and coasting. The new LP, Only Ghosts is a down and dirty mud-ride plum fulla mangled guitars, drums having the shit beaten outta them and stomach pump bass riffs. The road rash vocals are handled by guitarist Bryan Giles, while bassist Aaron Beam keeps things on the straight and narrow. Combined, they add an excellent depth to the whole shitstorm of sonic dementia. Continue reading →
When I first received the debut album from Salem’s Bend, I wasn’t sure what to expect. A three piece from the City of Angels conjured up pre conceived notions of what I thought LA was about. What I heard upon first listen was something totally different.
I actually thought I’d been visited by the ghost of Phil Lynott and he’d become mates with Fu Manchu, Blue Cheer and King Crimson.They were in a smoke filled share house, kicking back, head nodding to each other whilst appreciating the beauty of Led Zeppelin 4.
The opening track ‘Balshazzar’ sets the tone for a late ’60s early / ’70s fuzz-a-thon which continues throughout the seven track offering. Continue reading →