GEEZER Self-titled Album Review.

Words El Jefe.

At first glance, Geezer made me think of Fu Manchu minus the pop sensibilities a lot of Fu stuff has. A few spins later, and I’m still vaguely reminded of Fu, but there’s a whole cauldron of other sounds bubbling away here as well. But more on that later.

Geezer come from Kingston NY, and formed around an obvious love of Sabbath and all other things imbued with stoner goodness. This trio has a cool take on riff-rock, and the debut LP has plenty of great moments.

They break the ice with ‘Sunday Speed Demon’ and ‘One Leg Up’, foot to the floor rock tunes with gravel rash vocals, a neat rhythm pummel and some savage guitar playing too. Continue reading

BORRACHO ‘Atacama’ Album Review.

Words El Jefe.

Lumbering, fuzzed-out doom with road-rash vocals is something I love. The riff! All those bastard spawn of Sabbath. And I know in my bones that the power-trio Borracho have the same unwavering love for it that I have. Launching from Washington DC, (right next door to Maryland, and we know the level of STONER/DOOM that Maryland has delivered!) Borracho can really deliver on all fronts when it’s time to bring the heavy too. Atacama is the third full length LP they’ve unleashed, and fine evidence that the party ain’t nearly over yet.

‘Descent’ lurches into the blackest of Sabbath’s with a guitar tone that could rattle ya teeth outta ya head, but it’s also a surprisingly tender instrumental. Bells, some lysergic emanations throbbing in the background and easily serves to set the scene for the rest of the album. Continue reading

BLACK RHENO – Let’s Start A Cult EP.

Words Adam Cooper.

Hard working Sydney 3 piece and groove metal exponents, Black Rheno caught my attention of late, by literally being everywhere! They seem to be like Salt and Pepper at the moment, (in everything). So when the opportunity came to review the lads new offering, their Let’s Start A Cult EP, I jumped at the chance.

Firstly the title of this EP is pure gold and warmed the cockles of my heart before the first riff was ruffed. Speaking of riffs… this little number is riddled with ‘em. The sometimes groovy, sometimes thrashy, sometimes punky guitar stylings of Nano, led me to believe that these guys could share the bill with anyone from Clowns to High Tension and back again. My mind even wandered to the late ’80s, early ’90s, a time before time, when the groove of Pantera, Mordred and Prong were frequenting my Corolla’s tape deck. Smashin’ it old school. Continue reading

D.R.I., Battletruk (Reunion gig), TRS, Scalphunter. Amplifier, Perth. 11-02-2017.

Words Dave Mullins.
Photos Kim Anderson – Shoot The Wicked Witch.

Crossover legends Dirty Rotten Imbeciles (D.R.I.) have a career that spans about four decades. Which for folks at home means that they starting playing music about 5 or 6 Star Wars films ago. While the band never really broke into the mainstream, they have had a strong ‘underground’ following throughout their career, and their influence has been felt all across the genres of metal, punk and hardcore. This was D.R.I’s first time in Perth and it was bound to be an interesting night.

Right before Scalphunter took to the stage I overheard a punter mention that it had been forever since they’d seen Scalphunter open for another band. But, holy fuck, do they know how to open – with an explosion of screaming and blaring guitars. Even though he barely takes a moment to breathe between each song, frontman Steve Knoth somehow manages to keep things at an insane level of intensity. Seriously, the guy has some fucking stamina. But the same could be said for any member of the band. The crowd was a little small, given how early in the night it was, but it didn’t stop Knoth from stirring up the audience, walking through the crowd and taunting them to show even just a little more energy. They played a short set compared to what fans might have been used to, but it was pitch-perfect and punk-as-fuck and a perfect way to start off a big night. Continue reading

COSMIC PSYCHOS, Power, Batpiss, Organ Donor. Bendigo Hotel, Melbourne. 27-01-2017.

Words Mikaelie A. Evans.
Photos Suzanne Phoenix – Photos Punctuate My Life.

Comprising an ecstatic Melbournian line-up for the evening, Organ Donor kicked off the first of three massive nights in celebration of The Bendigo Hotel’s 7th Birthday Bash. The three-piece unleashed their defiant hardcore rhythms throughout the filling band room, setting the pace for the evening’s line up to follow.

Batpiss are next in line, who hit the stage with a loud presence; distorted vocals mix through their coarse layers of spiralling guitar licks and dooming drums. Bringing the boozy crowd to the front of the room are the deepening grooves of their set list that turns into rounds of applause as they slur The Bendi a happy birthday. The venue doesn’t look big enough for the amount of punters who have managed to find enough space to stand. This makes it hard to believe that it’s become big enough to provide the space for the swelling pit of jumping heads that’s on the rise, though they’re making it work as they jump wildly about throughout the Batpiss show. Continue reading

REFUSED, Sick Of It All, High Tension. Prince Bandroom, Melbourne. 25-01-2017.

Words Mikaelie A. Evans.
Photos Adam Russ – Right Eye Media Australia.

Trembling inside the darkened walls are the rumbling amplifiers that ricochet Melbourne’s High Tension once they’ve taken to the stage. Front woman Karina Utomo growls into the heavily beaten drum patterns, sometimes bellowing high pitched screams into the mic. The guitar riffs raise tensions of their own, fiercely backed by the heavy bass lines. At times singing, but mostly screaming, the crowds conversation turns to muffled pauses of awe as Utomo owns their set, ensuring that the evenings line up is going to be memorable.

Sick Of It All bring the NYCH ruckus onto the stage with them as they power straight into their set with such high energy and intensity that the crowd takes a moment to ease into their anthems. With a bit of warning, they play “The first song we ever wrote”, ‘My Life’, and unplugged ears cop an absolute beating. Front man Lou Koller gives more of a considerate warning: “Don’t get scared, cause it ain’t pretty.” Each of them are obviously in their elements as they run an engaging muck on stage, engrossing punters into the brewing pit with ‘Black Venom’, Koller eagerly tells us to “Get down to this shit!” Continue reading

THE ANSWER ‘Solas’ Album Review.

Words Mark Ireland.

The album Solas by The Answer is the pinnacle of a tumultuous time for the band. They’d just finished a huge tour of the US and the lead singer Cormac Neeson was in a creative slump, he’d been pushed to the limit, so much so he didn’t think he was able to produce another album.

As well as the creative problems, his wife had just given birth to a boy who had been born prematurely, so this album is a deeply personal journey not only for the band but the audience as well.

The opening track and title song ‘Solas’ has an incredible build, you can imagine the band playing on top of a mountain with no one else around, the swirling echo’s of guitar  entwine the listener into a serpentine state.  Then it drops like a parachute jumper with no chute pure velocity, it is a fantastic opening track. Continue reading

ELECTRIC MAGUS (RAUL SANCHEZ) Interview.

Words Mikaelie A. Evans.

Renowned Australian musician, Raul Sanchez, has created an enticing reputation throughout his career that has been lingering in the public eye since the ‘90s. From his early days of playing in various garage rock bands that included The Bugbears, Muffcake and the much loved Magic Dirt, the Melbourne based guitarist has also shared vocal, guitar and songwriting roles in most of the bands he has played with. Currently playing with the likes of Tex Perkins’ supergroup, The Ape, Sanchez is also a part of the line ups that make River of Snakes and Midnight Woolf. With these influential bands having distinctively various sounds, one could begin to wonder what his solo album might sound like… And in 2015 Sanchez produced those sounds on his own instrumental album to answer the thoughts of those wondering punters. Released via Wild Animals Records and titled Masks, Sanchez’s first solo output came together over several years. Comprised primarily with guitars, there were also drums weaved through the variety of other instruments and “whatever was lying around the house that would make a sound”. Continue reading

SUN GOD REPLICA ‘Grandular Fever’ Album Review.

Words Katherine McKenzie.

Sun God Replica are back with their third release Grandular Fever. Considering ‘grandular’ is not actually a word, I was a little perplexed as to the meaning and concept of this album title. Perhaps it’s a play on the virus Glandular Fever? Is it about a fever or virus of grand proportions? The album cover is also not giving away any clues to the title meaning. The image on the cover is a throwback to 1970s psychedelic aesthetics and fashion, dialled up to 11 out of ten, giving the impression Sun God Replica may have raided the costume department of their local theatre company. This however is a pretty good indication of the sounds that are featured on Grandular Fever; fuzzy psychedelic rock and fun vibes that doesn’t take itself too seriously.

Opening track ‘Blow Your Mind’ kicks off the album with a ’70s psychedelic inspired number with catchy pop melodies. Upbeat, relaxed and fun is the general vibe with this song, with simple vocals, standard rock drum beats and a guitar solo, this accurately sets up the retro sounding direction of the rest of the album. The lyrics tick the box for abstract, psychedelia references, as shown by the song’s opening lyrics; “I’m a trap door spiderman, I’m holding flowers…” before launching into a chorus with the repeating lyrics of; “Want to blow your mind.” There are also references to going back in time and drugs for good measure.

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HARRY HOWARD AND THE NDE ‘Sleepless Girls’ Album Review.

Words Katherine McKenzie.

To say Harry Howard has been a part of the Australian music scene for quite some time now would be an understatement. A founding member of the post-punk band Crime & the City Solution, they released four albums before disbanding in 1991. Howard was also a member of These Immortal Souls, and has played with The Birthday Party. Harry Howard and the NDE is his current act, having released their first album Near Death Experience in 2012, and Pretty in 2014, their latest is Sleepless Girls – a combination of dark pop melodies and garage rock, while still retaining a strong sense of Howard’s 1980s post-punk roots.

‘The Only One’ is a solid opening track, complete with catchy pop hooks and simple rock riffs. The prominent pipe organ keyboards that feature throughout the track add a dark 1980s goth vibe, contrasting with the overall upbeat feel of the song. It is actually quite a fun and energetic song, that still retains a sense of moodiness, and I can almost imagine it being played in some alternative underground nightclub in London in the eighties. Continue reading