Eight full length studio albums, ongoing world tours, countless controversies and over 20 years in the making; The Dandy Warhols are back on the road, strong as ever. Amidst their current world tour that is supporting the release of their latest 2016 album, Distortland, The Dandys have refuelled their untamed energies, topping the freshest icing on their musical cake. Bringing new elements and sounds to their latest record, fans were given teaser tasters to raise the anticipation to new levels that will be ongoing until their live show is in your city… And probably beyond until you’ve had your mind blown X amount of times.
Having the opportunity to grab a quick chat with Zia McCabe, the keyboard player of The Dandy Warhols, she shared a bit of insight into what it’s like being on the crazy train that is the ongoing musical project for the five piece. Currently in Atlanta, Georgia, The Dandy’s have still got a massive way to go around the world though, they will be hitting our Australian shores late October / early November. It’s a huge run of shows, and although it’s what they do best, it can take a toll on their personal lives. Continue reading →
’60s British Rock Legends The Troggs finally return to Australia this November to celebrate Wild Thing’s 50th Anniversary by performing all their Greatest Hits – ‘Wild Thing’, ‘With a Girl Like You’, ‘I Can’t Control Myself’, ‘Love is All Around’ and more!
They’re widely known to have inspired the age of garage and punk rock including The Ramones, Iggy Pop and The Buzzcocks. The Troggs first entered the Australian charts in 1966 with ‘Wild Thing’ going all the way to #1 knocking Frank Sinatra off the top spot! Their follow-up single ‘With A Girl Like You’ was also a top 10 smash going to #8. Their Aussie chart success continued with their third single ‘I Can’t Control Myself’ (later covered by our own James Baker) reaching #13 and solidifying their place as one of the most successful British bands to come from the wave of ’60s bands.
Cassie Walker caught up with original member and guitarist Chris Britton. Continue reading →
It’s 5pm somewhere: an interview with Donita Sparks from L7.
Remember that saying, “it’s 5pm somewhere,” and you almost feel less guilty about cracking a cheeky beer at 10am? That’s kind of how I’m starting to feel as it’s 9.45am AEST and Donita Sparks mentions that it’s 5pm where she is, looking out towards the Hollywood sign as we begin our delayed phone call. Sparks doesn’t live in Hollywood, though she can see the infamous big letters sprawled out across the hills from where she does reside in L.A.
I’m thankful that prior to having the phone line connected I was made aware that it was an international call, because I probably would have suggested we go for a cheeky morning beer if she and L7 had already landed in Australia! We exchange a brief hello, which is enthusiastic – much to my surprise – on both ends of the phone. Sparks quickly asks me how to correctly pronounce my name, which is a prominent tongue twister to many of those having to pronounce it; I break my name (Mik-hay-lee) into syllables and we both laugh at the inconvenience of unusual names. Continue reading →
A couple of counts in on the high hat quickly fasten to set the pace for the first full length album from Melbourne psych rockers, A Basket of Mammoths. Their eight track album, titled Unkept And Matted, comprises a variety of musical genres and influences, opening with ‘Sinner’s Abyss’.
Lachlan Mill’s heavy bass riffs catch up to groove atop Alex Minicz’s rhythmic drum patterns, convoluting the rhythm section with Sam Krieger’s distorted guitar; sounding like a game of snakes and ladders might, the three piece groove through the opening song into ‘Wait, I’ll Find Somehow’. A bass heavy anthem from the album, Mill’s prominent riffs formulate lengthy interludes between the vocally dominated chorus’. Krieger leads the lyrical content with backing vocals to strengthen each word. Continue reading →
Words Emma Cooper.
Seedy Jeezus band photo Barry Takes Photos.
Artwork Mr Frumpy except Isaiah Mitchell poster, artwork Shannon Trottman.
It’s that time of year again. Collingwood is battening down the hatches and The Tote and The Bendigo are rolling up their sleeves in preparation for Melbourne’s sell-out celebration of metal, rock and beer, Brewtality. On Saturday 6th August 33 bands will strut their good stuff across three stages, including local psychedelic space rock legends Seedy Jeezus.
No strangers to Brewtality, Seedy have previously headlined the upstairs stage. Guitarist Lex Waterreus loves the festival and talked to us about how important it is to the local scene: “A lot of bands who many people don’t see or don’t bother to see will get in front of people and hopefully play their asses off and get new fans, sell merch and get support from punters. Anything like this is an oasis of unexposed local talent. I remember when Heavy posted for people to suggest names for it and seeing the spark that ignited everything. That in itself tells you the level that this was born from – grass roots. Local import, normal folks wanting to try something. Not a corporate shark tank trying to devise a strategy. Just fans of the music, seeing a scene and a place to do something to help it blossom. The Brewtality crew spend a LONNNNNGGGGG time deciding who they want to play and it’s not easy to get on. So you know it will be nothing but great stuff!!” Continue reading →
Higgo: Always great to chat with Phoebe (Pinnock) from Heaven The Axe. You will not find a more loving, caring and wonderful human who absolutely dominates on stage like a demon possessed. I have to mention that it was great to see Heaven the Axe complete again.
Phoebe Pinnock: Thank… can I swear?
PP: FUCK YEAH!! (Laughs) YEAH! Finally! Well it was a bit challenging there for a bit, sharing members with other bands, and you only get them for a couple of hours a week, we had lots of commitments and we had to keep forging ahead. It was really enjoyable for a while there but we all got to a point ‘nup, we have to find our own people’ so it was pretty incredible. We just put it out there on Facebook and see who comes to us, and you get messages from people around the world, and when Alex (Hellenbach), our current guitarist, contacted us from Croatia, we thought it was pretty funny, we laughed, but we said if you’re serious just send us a video. He sent one through, and it just blew everyone out of the water so we said you’re in, pack ya bags! Continue reading →
Great to talk to Eddie Fury from Fireballs, I honestly lost count of how many times I saw them between ’94-’97, which lead to us reminiscing about the ‘90s Melbourne live music scene.
Eddie Fury (EF): We used to do a lot more of the Uni circuit, the student unions stuff, and I’m a bit out of the loop with it all, I dunno if there’s the platform for young upcoming bands to do that sort of stuff anymore, do you reckon there’s as much of a platform as there was say in the ‘90s? I definitely remember seeing a shift in the mid ‘90s music venues when pokies came in. That was the biggest shift for the arts community in Melbourne I reckon. Things were shutting down left right and centre. I mean the Bendigo is doing it these days, but the venues that are 2-300 people that have bands on 4-5 nights a week, that’s a rare commodity these days.
H: Yeah I agree, although there are still venues that do it, there’s definitely less of them, and it felt like it was as it was rising, I dunno, maybe it’s because I was discovering it all legally then, but it felt like 97-98 pokies really took hold. Continue reading →
Maybe it’s just the pathway this writer has been fortunate enough to undertake but ’90s punk is an amazing facet I can include as part of my résumé and upbringing. There is an energy, life-force and rejuvenation which this art-form carries especially within this era of time. For those lucky enough to have experienced this period, they would hopefully also have an instant injection of adrenaline with such a prolific sound and lifestyle. Then again, since Australia has one of the most remarkable surf and skate cultures in the world, essentially this headline band’s touring schedule of our fine nation was more of an enjoyable necessity than an occupation, for all involved.
Local goth-punk trio Dead Joe were called upon to open this event and unfortunately the detriment of an early time-slot equated to only 15 observers being present for their performance. It’s of no surprise or mystery that Dead Joe really like The Misfits, excessively as a matter of fact; this adoration blatantly shines throughout the three-piece’s tracks. Showcasing songs from their LP Carry Me Home which is basically a collection of all songs the band have released in their history; the show was polite but not particularly inspiring (understandably due to low crowd numbers). The addition of Mikey Valentine as a new member is a nice touch though. Continue reading →