The first thirty seconds of Sydney band Web City Limits new single, ‘Traitor’, displays everything I love about metal; riffs that belt you in the head smashed out by a chorus that punches you in the gut, and a lead vocalist that pierces your eardrums. Mandy Newton is a name to keep your eyes on. If this single is anything to go by, big things are to come from Web City Limits.
The second track ‘Dope’, pounds the listener into submission, the rock hard riffs are brutal yet melodic. Web City Limits are fairly new to the scene, the main thing I love about this track is that it makes the listener stand up and pay attention. I listen to a lot of metal, and I get lost on how a lot of it is same old, same old, so it’s refreshing to hear something that heavily wears its influences but brings something new to the scene. Continue reading →
The first time I heard DEAD I was blown away. In terms of sheer brute force, weight and the volume of their sound, it’s huge! Melvins x 10 plugged into Slayer’s wall of Marshall stacks, you know, if they were real. They also continue to blow me away in a lot more ways as time goes on. It’s been 6 years this month since I first heard them, which was seeing them live supporting the Hard-Ons at The Tote, and since then, I’ve gotten to know the guys and have a deeper understanding of their music and where it comes from. It’s completely pure, unintentionally awesome, inspired, uncompromising, relentless, driving, and unashamedly their own beast. I could keep going. They continue to make solid kick arse music that’s completely honest to who they are and what they believe in. Continue reading →
365 days make an entire year and even for extremely enthusiastic punters, 365 gigs in one year seems excessive and unlikely to be an achievable goal… Especially when they’re a different gig every. damn. day… But against any doubt that it wouldn’t be possible, Melbourne-based photographer Zo Damage went all out for an entire year and even broke herself into the Guinness World Records.
In celebration of her 10th year since becoming a published photographer, Damage has produced an intimate look into a year of Melbourne’s live music scene and the community that makes it. Continue reading →
There were some amazing releases that come out in 2016, and as with every year, I start out with the best of intentions keeping a list of my favourites as they hit, only to let it fall by the wayside by about March. Yeah I know, it doesn’t last long! So undoubtedly I will forgot lots of great releases from 2016. There’s been the talked about releases like Metallica’sHardwired… To Self Destruct (which for me has been quite a disappointment, some moments of clarity and power but as whole, it wasn’t the driving force I was hoping for), then there’s been some that have come out of left field that have really thrown me for six and impressed me quite a lot, like Electric MagusOlympus Noms, which is Raul Sanchez (Magic Dirt, River Of Snakes, Midnight Woolf) latest offering through Wild Animals Records. Like with John Frusciante’s solo albums, some sound quite unique and very different to his work with Red Hot Chili Peppers (which is an awesome thing these days!) yet his style and soul still comes through in various ways. Electric Magus is like this for Sanchez compared to his ‘usual’ guitar driven work. It’s totally different yet still somehow connects with me for the same reasons.
I still listen to loads of releases from all around the world, but more and more as time goes on I find myself mainly listening to local bands. Possibly for a few reasons, I like to support local muso’s and friends, it’s possible to see them more live which in turn gets us more stoked on listening back to a band later, and maybe most importantly, there are just so many fuckin incredible bands in Melbourne and throughout Australia that there’s not enough time to sometimes reach out further. Continue reading →
Partly because I am a product of the ‘90s music scene and partly because anything J Mascis and co are associated with is awesome, I was psyched to be heading off to Thornbury in Melbourne for the second of two sold out shows at the Croxton Bandroom. Dinosaur Jr are touring their eleventh studio album, 2016’s Give a Glimpse of What Yer Not, and their fourth since reforming in 2005 with the original lineup.
Local band Flour are the only support and opened to a quickly filling room. The guys already had a buzz about them when they first started in 2014 and as time goes by they keep going from strength to strength. However, they did have to start one of their songs again, as guitarist Steve Cohen announced that he was really hung over and stopped at the intro. Flour come from a place of pure unadulterated don’t-give-a-fuck rock’n’roll and for fans, that was no drama, a restart is just part of the show. And the hangover was probably fair enough, his ‘Left of The Dial’ art show with Sydney-sider Ben Brown kicked off the night before (Check it out here!). Continue reading →
Since blowing up during the Swedish hardcore-punk scene of the early ’90s, Refused have gained a reputable name for themselves worldwide as they have continuously been one of the bands on the forefront of the phenomenon.
With time comes age, experience, influence and the overall state of the world, so it’s inevitable that their sound might have changed since their 1998 release The Shape Of Punk To Come. Following their longstanding hiatus (1999–2009) that was broken with speculation, rumours and a 2012 world tour, Refused released their first studio album in 17 years during 2015 via Epitaph Records. Titled Freedom, the 10-track brought critics and fans all over (again) out of hiding and straight back into the pit. As they embarked on another run of international shows, their new album became a celebration in itself. Fast forward a year, and Refused announced that they’d be coming back Down Under in early 2017… and the time has arrived! Continue reading →
So it’s no secret that Kyuss have had a massive influence over the heavy / stoner / desert rock (whatever you want to call it; stoner works for me) scene since their inception in the late ‘80s. Tuning down to C, (although Homme claims he wasn’t familiar with Sabbath. Yeah, I’m skeptical too), and playing laidback heavy grooves. Garcia’s vocals were a huge part of the sound and influence, but it was Brant Bjork’s influence on Garcia that led to this vocal style; during Garcia’s audition suggested he try to sing slower and sang him an example. Bjork also hand a large hand in the songwriting. The rest is (musical) history.
‘The Gree Heen’ opens the ledger on Tao Of The Devil, and kicks off with a slick melodic droney run. Some jazzy drums are a cool touch too. Continue reading →
Eight full length studio albums, ongoing world tours, countless controversies and over 20 years in the making; The Dandy Warhols are back on the road, strong as ever. Amidst their current world tour that is supporting the release of their latest 2016 album, Distortland, The Dandys have refuelled their untamed energies, topping the freshest icing on their musical cake. Bringing new elements and sounds to their latest record, fans were given teaser tasters to raise the anticipation to new levels that will be ongoing until their live show is in your city… And probably beyond until you’ve had your mind blown X amount of times.
Having the opportunity to grab a quick chat with Zia McCabe, the keyboard player of The Dandy Warhols, she shared a bit of insight into what it’s like being on the crazy train that is the ongoing musical project for the five piece. Currently in Atlanta, Georgia, The Dandy’s have still got a massive way to go around the world though, they will be hitting our Australian shores late October / early November. It’s a huge run of shows, and although it’s what they do best, it can take a toll on their personal lives. Continue reading →