THE MEANIES, The Pink Tiles, Suss Cunts. The Gasometer Hotel, Melbourne. 01-07-2017.

Words Mark Ireland.


During the ’90s Melbourne had a thriving all ages band scene, and the kings of that scene were The Meanies, they realised that punk rock was not just for adults but for everyone of all ages, everywhere they played there was total chaos, but not in the malicious sense, it was more unbridled energy kind of chaos.

Tonight’s gig was a celebration of 25 plus years of total madness and kinetic punk rock. Continue reading

PROPHETS OF RAGE ‘Unfuck The World’ Clip + News

FROM PRESS RELEASE:

PROPHETS OF RAGE prepare to ‘UNFUCK THE WORLD’!

REVOLUTIONARY MUSICIANS ANNOUNCE NEW ALBUM AND SHARE VIDEO FOR LEAD TRACK TODAY.

PROPHETS OF RAGE: TOM MORELLO, TIM COMMERFORD, BRAD WILK, CHUCK D, B-REAL and DJ LORD SET TO RELEASE THEIR EXPLOSIVE, SELF-TITLED DEBUT ALBUM SEPTEMBER 15 ON SONY MUSIC AUSTRALIA

WATCH THE VIDEO FOR THE POLITICALLY CHARGED LEAD TRACK ‘UNFUCK THE WORLD’ DIRECTED BY MICHAEL MOORE WATCH HERE Continue reading

GROOVIN THE MOO: Violent Soho, The Wombats, The Darkness, Pnau, Milky Chance, Tash Sultana, Against Me!, The Smith Street Band, Architects, K.Flay, Amy Shark, Methyl Ethel, Horror My Friend, Tom West. Wayville, SA. 28-04-2017.

Words Will Oakeshott.

French writer Jean-Baptiste Alphonse Karr once wrote in his epigrams: “Plus ça change, plus c’est la même chose”; which for those of unfamiliar with French translates to “the more it changes, the more it’s the same thing”. Groovin The Moo in 2017 made its first appearance in South Australia at the infamous Adelaide Showgrounds, vastly different from its original location in Oakbank. However, the sell-out crowd were once again greeted with a gloomy winter-esque atmosphere (referred to as “Groovin The Mud” in past years), but misery was far from consideration by the attendees, if there were premises to assign to the festival – “victory” and “mystery” would be certainly suiting.

Adelaide-based progressive folk luminary Tom West had the privilege of the opening slot for the festival and brought out his entire arsenal for the presentation. A six-piece band including keys and a banjo serenaded the early observers, although not quite in a spirited fashion, more-so a soothing manner. Single ‘Easy, Love’ was the standout which channelled Pennsylvania’s criminally unknown Koji; honestly though, it wasn’t an enthusiastic engagement but a warm welcome nonetheless. Continue reading

NASHVILLE PUSSY, Rust, The Neptune Power Federation, Tequila Mockingbyrd. The Bald Faced Stag, Sydney. 12-05-2017.

Words El Jefe.

Yeah, Friday had finally hit. I’d spent the week learning new systems and processes in a brand new job, and whilst not physically tiring, it’s certainly mentally draining, but the Nashville Pussy gig (and a beer or two… dozen) was never far from my mind.

I grabbed a beer and hit the room to check out Melbourne’s Tequila Mockingbyrd. This all-girl three-piece do a great trade in ‘70s hard rock, big riffs, hair, and a fuckload of energy and enthusiasm. It was clear they were having a blast onstage. Singer / guitarist Estelle Artois plays some mean guitar, and has a great set of pipes too. Backed by a solid rhythm section, which is comprised of bass player Jess Reily (who was wielding a pretty funky silverburst T-bird too!) and drummer Josie O’Toole, they’ve got all their bases covered. Check ‘em out when you can. Continue reading

BRANT BJORK, Holy Serpent, Don Fernando, Fuck The Fitzroy Doom Scene. The Corner Hotel, Melbourne. 13-05-2017.

Words Mark Ireland.
Photos Adam Russ – Right Eye Media Australia.

Stoner legend Brant Bjork has been a frequent visitor to our shores, so when his tour was announced, all the desert rats come out in droves. Before the show at The Corner, Bjork had already played Negative Waves in Geelong and Cherry Rock at Cherry Bar. Along for the ride he bought Holy SerpentDon Fernando and Fuck the Fitzroy Doom Scene.

It’d been a long time between beers since I’ve seen FTFDS so I made sure I was front and centre. As soon the riff for ‘Better Off Dead’ kicked in I was pinned to the wall. The unique thing about this band is the three part harmonies, it gives the performance incredible strength. They finish off with the sludgiest version of ‘Facing The Ruin’, by the end of the set my heart was in my throat and my ears were blasted, did I care? Not in the slightest. Continue reading